top of page
FACEBOOK COVER (851X315PX).jpg

     NOTES ON TEXT

CHAPTER ONE

 

Section 1

   The general layout of San Francisco in summer 1849 derives from Taylor [44-45;92-98] and Boessenecker [54], as well as a few surviving photos and drawings. Description of the ethnic variety and mix is drawn from Gihon [258], Brands [253], and Taylor [45]. The snaking line of miners seeking mail is from Taylor [168-170] and Benemann [38,42]. Description of the inside of saloons is drawn from several sources but mainly Benemann [85] and Taylor [97].

 

Section 2

   I’m in particular debt to The Diary of a Forty-Niner, edited by Chauncey Canfield and originally published in 1906. I was captivated by the narrative flow of Diary; it reads like a novel. It was only later I discovered its provenance has long been in dispute and some believe it is fiction, or at least a fictionalized account. The name “Pard,” the very idea of Addison having a partner in the mines, and the Nevada City setting, all derive from Diary. I first read the book in the 1990s, then reread when I finished the manuscript. I discovered one other detail I may have drawn from Diary. Its protagonist dreamt of purchasing a farm with his gold earnings. That may be where I got the idea for Pard wanting to buy a hog farm, and eventually Addy a ranch, although such a notion was a fairly common dream among miners and was so referenced in other diaries. 

   Early placer mining was concentrated in the southern mines. Nevada City, part of the northern mines, was not established until fall 1849 when gold was discovered on Deer Creek. Thus I portray Nevada City as it more likely appeared in summer 1850 [Decker 23-25]. By fall 1850 the population had swelled to 6,000 [Manley 364]. My description of Boots: “unshorn beard and hair flowed in tangled confusion to his waist” derives from Colton [25]. “A stomach’s a stubborn thing, Addison” is adapted from Delano [121].

   I sized the claims on Deer Creek according to my narrative requirement, which was, basically, to have Addy and Pard avoid prying eyes and ears. That objective played out several different ways at the end of the chapter when disturbances on their claim would have drawn in other miners had I made Deer Creek claims diminutive. In reality claims were generally smaller than the ones I portray on Deer Creek, though the dimensions varied greatly. Scamehorn [124] says a miner saw this notice posted on one river: “A.B. and Company claim this stream up and down;” while on the bars of another creek twenty square feet was the maximum. 

   The amount of gold any given miner dug on any given day on any given river obviously varied, but “ounce diggins” on a rich river in 1849 is no stretch of a novelist’s imagination [Taylor 388]. 

   Addison’s exuberant pronouncement “Last day ‘fore we render our names immortal!” derives from Buffum [28]: “…hopes of rendering ourselves rich and our names immortal.” “Nothing shorter” is from Marryat [33]. I’m indebted to a number of diarists for their descriptions of gold mining towns, camps, and individual claims, as well as details about equipment and methodology. These include Colton [25] and Marryat [217] for rules applying to claims. Addy’s comment that “No man ever dug a dollar in the motherlode didn’t earn it” is straight from EPerkins/Clark [161]. Background on local Indians is from GEvans [220 note] and snippets from a variety of other sources, including Scamehorn [103].

   According to Beckwourth [286], a unique mountain man who lived with the Crows for years, Indian bows were typically made from two conjoined buffalo horns, although none were the equal of bows manufactured from the antlers of a mountain sheep. As I conceived chapter 1 I treated Beckwourth’s bighorn exceptionalism as fact. As the story and my research moved out onto the Plains in chapter 5, I was concerned, if not alarmed, to discover that Beckwourth’s glorification of the bighorn bow was an opinion not universally shared. No matter; this is fiction. Beckwourth’s bow boast provided sufficient inventive plausibility for me to anoint bighorns transcendent. (More on this in the chapter 5 notes.)

   Deer meat usually sold for less than 40 cents per pound in the mines in ’49 [GEvans 223]. The manner in which California Indians prepared acorn “flour” and baked it into bread is from Navarro [64]. Native nakedness, and the sometimes-odd mixture of native dress and western clothes, is from Stillman [28].  

   Originally I couldn’t understand how the culture of Plains tribes, while prehistoric and "savage," was also stable and thriving in the 1840s, while 49er diaries consistently referred to local Indians as dirty and degraded. Boessenecker [11] was the first reference I saw which explained that contact with the Spanish, and resulting epidemics, decimated the tribes and largely destroyed their cultures. I made that part of Blue Feather’s backstory. 

   Addison and Pard lamenting the “state of their treasury” is from Delano [109].

   Readers will likely note Addy is holster-less throughout the story. While there was some gunbelt making in San Francisco during the gold rush, the Mexican Loop style—prototypical for TV and film gunfighters—was an 1870s invention. 

 

Section 3 

   The Maidu squaw practice of carrying baskets on their back secured by a strap across their forehead is from Scamehorn [103]. 

   Boots is a composite character. His mining aptitude and secretiveness mirrors a  “shrewd Dutchman” Colton writes about [300-02] who had a nose for gold and caused miners by the bushel to follow him when they thought he’d tapped a vein. Boots’s general nature—a recluse-miner who loves the finer things in life—is based on a 49er with the nickname of Buckshot, described by Taylor [206]. He was an “eccentric” that “lived entirely alone” whose “tastes were exceedingly luxurious” and “always had the best of everything in the market, regardless of its cost. When particularly lucky in digging, he would take his ease for a day or two, until the dust was exhausted, when he would again shoulder his pick and crowbar and commence burrowing in some lonely corner of the rich gulch.” Taylor does not say where Buckshot is from; I conjured Boots’s Sonoran backstory in order to lend credibility to his store of mining knowledge. 

 

Section 4 

   The idea for the debt-clearing eclipse deception derives from Cremony [98-102]. He tells the story of witnessing an eclipse of the moon while encamped with Pimo and Maricopa Indians in what is now Arizona. Aided by a friend with a telescope, Cremony pretended to shoot and wound the moon on the eve of an eclipse, an action that nearly proved fatal to him at the hands of the restless, if not distraught, natives. As quickly as the cosmos allowed, he resurrected the lunar disk and was spared. 

   The legs shot off Slaughter’s chair derives from a saloon incident described by McGrath [200] in which an ornery miner shoots a cigar out of a patron’s mouth. 

   The nickname the Maidu give Boots, Man That Earth Talks To, derives from Brands [415]. Boy That Earth Talks To was the name Missouri Indians gave a youthful George Hearst, later reputed to be the greatest miner of the gold rush era (gold in California, silver in Nevada), and the father of William Randolph Hearst.

   The description of Boots’ dry claim (the layers of strata) is fairly common knowledge, but I first read about it in Steel [3].  

   Slick Sneed being whipped for stealing Boots’ gold derives from Colton [250], including the role played by the “mossies.” The miscreant in Colton was sentenced to one hundred lashes, reduced to thirty. They were inflicted, yet he wouldn’t sing. He was stripped naked, tied to a tree and left for three hours. The mosquitos achieved what the lash could not; the thief revealed where a stolen bag of gold was hid. I tacked another anecdote in Colton [307] onto this incident and had the Deer Creek miners abandon their torment of Sneed to hastily seek liquid relief from an arriving provision wagon in Nevada City. The anecdote also records the variety of receptacles employed by miners—in lieu of available cups and glasses—at the whiskey barrel font, including one thirsty fellow who “offered ten dollars [ten days pay back east] to let him suck with a straw from the bung.”   

   The idea for turning Boots’ dry claim into a grizzly trap derives from Storer & Tevis [85], who in turn cite an 1889 account of a Costanoan Indian practice (prior to the gold rush) of digging a pit under a tree branch, covering it with sticks and a light layer of dirt, then hanging beef from the branch. A grizzly wound scent the meat and fall into the pit when it approached to investigate. 

 

Section 5 

   The idea for having Slaughter falsify the manner of Boots’ murder—shooting him with bullets and then placing arrows in the wounds—comes from Hopkins [59]. In the real (historic) story, arrows were indeed placed in bullet wounds in order to frame Indians. 

   The idea for Slaughter attacking the Maidu hardly needs referencing, unfortunately; there were so many such raids. Delano [136] records one of the worst. Several head of oxen belonging to miners claiming on the middle fork of the Feather River were discovered missing one morning in spring 1850. Indians were suspected, an armed party was raised, and it set forth. A few bones were found on the way to the redskin encampment, furnishing “proof” of the evil deed. The seekers of justice proceeded to shoot and kill 14 Indians and then destroyed their dwellings. While returning to their claims they stumbled upon their oxen quietly feeding in an isolated gorge.

   Perit Slaughter whipping Blue Feather naked through the streets of Nevada City derives from several sources writing about the Modoc Indians [Murray 31; James 27]. The tribe lived along the California-Oregon border. A notorious character named Ben Wright, who purportedly lured Modocs to a peace conference only to ambush and slaughter them, later whipped a squaw naked throughout the streets of Port Orford, Oregon in 1855. The Indian woman, a government interpreter, plotted revenge with an accomplice. According to reports they not only axed the villain to death but cut out Wright’s heart and consumed it. Wright is something of an overall “model” for Perit Slaughter.  

 

Section 6 

   I came across vernacular phrases in my research I found irresistible. One was Perkins’ reference to “our crackers were all jammed into spoon victuals already by the shaking they have undergone” [EPerkins/Clark 23]. The key two-word phrasing—which did not originate with Perkins—was transformed and included in my attacking grizzly vignette “…smashing our crackers plumb into spoon victuals.” 

   Wherever possible I tried to align the events in Addison True with recorded history. Oftentimes yesteryear failed to adequately oblige and I had to jam narrative’s round peg into history’s square hole, but other times conjunction was coincidentally spot on. I have the first rain and snow of the season falling on October 30, 1849. According to GEvans [217] the first storm did indeed hit on October 30, Navarro indicates it was either October 30 or 31 [62], while Delano records it as occurring on November 3 [115]. 

   The anecdote about Addy lighting a stump on fire to stay alive in a blizzard comes from my book Cowboys, Ranchers, and Assorted Characters – True Tales from the New West. Texan Bill Black was on a hunting trip in Idaho’s Selway-Bitterroot Wilderness with three friends. One friend and the guide took a separate route back to base camp their last day and were caught in a blizzard. The one-armed guide hacked at the edges of the stump, lit the frayed ends, they stood near the flame all night, and survived. 

 

CHAPTER TWO 

 

   This chapter is almost entirely fictitious (without historical precedent) though there is indeed a Walker Pass. As far as I could determine, no parties heading west from Missouri in 1849 were trapped east of the Sierra. This may seem remarkable given the volume of travellers and the rather haphazard nature of the migration that year. On the other hand, the travails of the 1846 Donner Party were well known and highly motivating; wagon trains left early in order to avoid a similar fate. Also, military governor Persifor Smith (California didn’t become a state until 1850), conscious of avoiding a repeat of the Donner debacle, sent relief parties over the Sierra in fall 1849 to provision and guide stragglers. He is credited with saving innumerable lives [Taylor 230-32].

   I feel poorly for making the Paiutes the heavies in this chapter, but such is fiction; they are the unfortunate victims of geography. I needed some “bad” Indians in this chapter and I needed them to control the approach to Walker Pass. The Paiutes, or Southern Utes, historically occupied that ground, although the “borders” between tribes were certainly fluid. The Shoshone occupied the territory where the narrative first picks up the stalled progress of the emigrant train by Donner Lake. One of the few Native American memoirists of that age and place was Sarah Winnemucca Hopkins, a Paiute. I enjoyed her autobiography, adapted anecdotes from it, and came to feel an affinity for her tribe, so it was painful assigning sundry “deviltries” to them. 

   

Section 2 

   The description of mountain man Toogood’s dress comes from several sources, including Sage [38]. 

   The Horace Botsford character was first inspired by an adventuring gold-seeker Edwin Banks crossed paths with on the California Trail in ’49 [Scamehorn 44]. I subsequently happened upon numerous similar types in my research—romantic travelers, often from Europe, intent on experiencing the American west. Thus Horace is an archetype. 

   When Addison asks Captain Toogood his “opinion general” of Indians, Murfrees answers in part with a story about being rescued by a Sioux after getting lost on the Plains while searching for a stray horse. The true tale is straight out of Sage [84]. 

   The Toogood quote regarding Bridger—“He never started a fight with Indians but never run from one neither”—is my wording but captures a philosophy I saw referenced repeatedly in my research. For instance, Hafen [182] wrote that a good mountain man avoided unwanted fights with Indians.

 

Section 3 

   The “trapper way of packing,” a mule with three packs loaded on—one atop, and one on either flank—is from Irving [131]. Hopkins [57] mentions Indian children mud-modeling wild game and then practicing on the small figurines with kid-sized bows and arrows. She also wrote about the propensity of antelope to herd in winter but move about in smaller groups in warm weather [57].

   Help with Horace Botsford’s accent came indirectly from Alpheus Favour’s biography of mountain man Old Bill Williams. Favour mentioned an “English Army officer seeking adventure on the plains” [126]. The adventurer turned out to be Sir William Drummond Stewart, a Scot and the author of two books—although neither bears his name. Seeking Britishness and Britishisms in the two texts, as they might pertain to the American west, I was not disappointed. Indeed, the overall portrait of Horace Botsford, including vocabulary, is informed to a significant extent by Stewart’s Altowan and Edward Warren.  

 

Section 4

   The scene in which Addy confiscates two pistols and a bowie knife from a roaring drunk Murfrees Toogood tosses them into the sagebrush is also from Cowboys, Ranchers, and Assorted Characters... A policeman, having stopped a drunk cowboy late at night (Chuck Blakeman told the story on himself), pulled the keys out of the ignition of his pick-up, threw them into the weeds on the side of the road, told Blakeman he’d be able to find them readily enough in the morning light—sober—then offered to drive him home. I thought it was an inspired, incident-appropriate bit of law enforcement and recalled the maneuver when writing this scene. (Blakeman complicated the encounter by reaching into the patrol car, grabbing the cop’s keys, also throwing them in the weeds, and declaring it would be even easier to find his keys with both of them looking.)

   The long story Emma tells Addison around the campfire about her merchant and mercenary father sending employees sneaking across the Missouri River at night to collect material dumped by overloaded emigrants (barely commenced on their westward journey) is not reminiscent of any latter day Saint Joe merchant—at least none I read about. The tale, including details like Eldredge’s hired man posing as a doctor to avoid the lines at the ferry crossing, is my own creation. But the fictional sequence was triggered by several entries in Perkins diary [EPerkins/Clark 6,12]. He mentions such dumping by emigrants who faced an immediate ascent upon crossing the Missouri by ferry at Saint Joseph. Many travelers quickly recognized they had sorely miscalculated what they were capable of hauling 1,500 miles. 

   Background on Missouri River ferries comes from Mattes [112-116], including the smaller operation some miles north of St. Joe (there were actually several). There are discrepancies among the accounts of diarists and historians describing the tumultuous push across the river in spring 1849. Mattes indicates long waits at St. Joe ferries, yet Perkins appears to have crossed the wide Missouri quite readily. Long delays suited my narrative purposes.           

   “Past blushing” is from Sarmiento [125].

 

Section 5 

   The anecdote about Addy stripped by Paiutes and racing for his life is a reinvention of one of the most famous and oft-related incidents from early (trapper era) western literature. It occurred to mountain man John Colter in 1808, only a few years after the Lewis & Clark expedition (of which Colter was a member). I came across a description of the incident several times [Harris 124-27], but first mention was in Bradbury [17], published in London in 1817. I adapt the story fairly closely, including a companion who is shot to death (by many arrows), Addison/Colter stripped and forced to run, the leading Indian pursuer (a Blackfoot in the true story) killed by his own lance, and Addy/Colter reaching a river. Colter and his unfortunate companion, named Potts, were in a canoe rather than on land when the incident began. Colter made his escape using a trick I have Addison adopt in chapter 5. The idea of Addy hiding under the eroded ledge of a stream was my own invention, but only a few months later I read about a similar real-life incident in McGrath [43]. Ironically, in that incident, it was Paiutes giving chase! The pursued was a prospector in Nevada during the Civil War years. 

   The Paiutes bashing in Downing’s teeth as a way of preventing him from being reborn as a wild animal derives from an attack by the Paiutes on a way station in Owens Valley in 1864 [McGrath 46]. 

 

Section 6 

   Paiutes summiting the Sierra from the present-day Nevada side, stealing horses in California’s central valley, and then driving them back over the mountains and all the way to Salt Lake City to sell or trade to a Mormon contact derives from a letter by argonaut Jerome Howard in EPerkins/Clark [177]. Howard wrote that a certain Mormon interpreter by the name of Dimmick Huntington held sway over a particular Ute and directed his horse stealing and “acts as his agent in disposition of the horses” apparently to emigrants and Mormons. 

   “Put a load in that Paiute” derives from Estabrooks [86]: “…put a load into ye, shore.” I have Addison steer Blue with his knees at various points in the text. 19th century Plains Indians were particularly adept at this trick, which freed their hands to shoot at game or enemies [Carleton 242].

 

Section 7

   This bit of color: “...mules chawing on ropes and reins, even getting up on their back feet to get at wagon covers,” derives from Reid/Gordon [125] and actually occurred just east of the Humboldt Sink, in the general vicinity of my fictitious stranded train, in September 1849. 

   More than a few western novels and movies sprout wells wherever convenient, even amid barren desert. The well I place near the entrance to Walker Pass actually exists, though it is north of the pass entrance by five miles rather than east. Today there is a brewery on the site. 

   I took liberties with the geography of Walker Pass. I read an on-line account that described frequent rock slides in the pass and I imagined it as a tight thread of a trail bounded by high, steep cliffs. That is true closer to the pass itself, but at the desert entrance…not so much; it is a rather broad opening with a hill on the north side. I chose not to let geographic reality get in the way of my storytelling.  

 

Section 8

   Affixing Horace Botsford upside down to a wagon wheel and burning him alive, head first, derives from Cremony [287]. This torture-murder was performed by Apaches on eight Mexican men that had surrendered their arms in exchange for safe passage.

   The idea for Braxton Sware “mooning” the Paiutes also comes from Cremony [83]. An Apache named Delgadito—a close associate of the famed chief Mangas Colorado—in a running battle with American troops, “was slapping his buttocks and defying us with the most opprobrious language.” Unfortunately for the opprobrious Paiute a sharpshooter with a new-at-the-time Wesson rifle (this incident took place in the 1860s, not the 1850s) shot him in his exposed anterior.

 

Section 9

   The first reference I saw to writing as “paper that talks” was in Hopkins [18]. I employ the phrase repeatedly in chapter 10.

   Indian words and names can be tricky; I didn’t feel compelled to strictly translate or spell them “accurately.” I often found contradictory translations and simply did not care to painstakingly reconcile them. Most of my name creations, whether Sioux or another language, started with Internet research but were modified for the sake of “readability.” My approach is admittedly cavalier. For example, the Paiute subchief “Yellow Feathers” was originally “Red Feathers,” which I rendered as Anqa-ya Wici-awa (the supposed Southern Paiute translation). After somehow ending up with characters named Red Sleeve and Red Like Fox in later chapters, I feared the reader would be confused by the proliferation of “red” names, so Red Feathers retroactively became Yellow Feathers. But I had gotten used to Anqa-ya Wici-awa so the original Paiute translation remained. I employed The Collected Works of Edward Sapir, edited by William Bright, to help construct names (including Too-ahk-kae Pah-see-ahm) in the Southern Paiute language. 

 

CHAPTER THREE 

 

   During the California gold rush the mining region emptied somewhat in the rainy winter months, but I exaggerate the extent of the exodus for narrative purposes. It is standard storytelling technique to impose a deadline to heighten drama. I conjoin the end of the rainy season with the threat of Slaughter departing San Francisco for the Mother Lode to create a ticking clock. 

 

Section 2

   Vigilance committees did indeed exist in San Francisco and have an interesting history, but the first didn’t form until around February 1851. I, fictitiously, organize the vigilantes by March 1850. Senkewicz, Myers, Stewart, and Duane/Boessenecker all provide excellent background on the vigilantes. 

   The headlines in the newspaper Addy buys are taken from actual headlines (though slightly modified) in Stewart, who employed them as chapter titles.

   Famed “Telegraph Hill” derives its name from a semaphore that was mounted atop the knob. It signaled, to the populace at large, what type of ship was entering the bay through the Golden Gate. It was erected in September 1849. I can’t quite tell when the name itself was first applied (and then generally adopted), but the semaphore was indeed in operation by March 1850, so I invoked the longstanding name.   

   Ramon’s story about anchoring overnight in a skiff at the eastern extent of the bay, on his way to Stockton, then capsizing when the tide came up, is from Brands [218]. There were indeed horrific boiler explosions aboard steamships in that era, including ferries plying the bay [Navarro 156]. Ramon’s character is largely based on the backstory of Chilean Ramon Gil Navarro, whose San Francisco and gold rush diary was a valuable resource.

   The Verandah was actually a gaming house, much like the Eldorado, but I appropriated the name for Addison’s boardinghouse. Description of its interior derives from Gihon, et al [247]. The reference to it being “shingled by the wind” is from Colton [Appendix A, XXX]: “…looks as if the winds had shingled it.”

  

Section 3   

   The story about a house ostensibly rented to serve as a convent being rather employed as a brothel derives from Navarro [112]. Barry & Patten [67] inspired my description of sidewalks made from all manner of discarded items. Where the narrative allowed I tried to be accurate in regard to the use of street names as well as the names and locations of particular establishments (hotels and saloons, primarily) as they existed in March 1850. Barry & Patten [21] and Boessenecker [51,54] proved useful in this regard (as well as old maps), especially pertaining to identifying and locating structures around Portsmouth square. 

   The story about the monte-playing miner raking his overabundance of winnings into his boot is something of a gold rush chestnut, but I first read such an account in EPerkins/Clark [147]—he witnessed the action at a gambling house in Sacramento. Indeed, the winner’s cornucopia filled both his boots. Perkins doesn’t say, but presumably the lucky gambler made his way home in stocking feet.

   I mentioned my Vigilance Committee time travel. It is the general consensus of historians that the severe beating of a merchant in February 1851 sparked formation of the original committee [Boessenecker 17; Senkewicz 2; Myers 56]. There are frequent references to the Sydney Ducks in gold rush accounts of early San Francisco. My description of a slung shot derives from Stewart [3].

   I took liberties with Parker House, a leading early San Francisco hostelry. My modifications have to do with timing and design. According to an article in the September 9, 1900 San Francisco Chronicle by Katherine Chandler, there were at least three Parker Houses on the same site abutting Portsmouth Square (east side, along Kearny street). The first, two-and-a-half stories high, burned to the ground at Christmas time 1849. The second Parker House, three stories in height, was reopened May 4, 1850, approximately six weeks after events in chapter 3 took place (mid-March 1850)—and immediately burned to the ground.

   The descriptions of the inside of the El Dorado and Parker House are drawn from Barry & Patten [21] and Benemann [85]. The factoid about the Mexican quintette is also from Barry & Patten [45-46]. The plus-size prostitute I named “The General” was originally assigned the honorific “The Great Western.” In Captain James Hobbs’s Wild Life in the Far West, a tubby tart at Fort Yuma was ascribed the latter name [216] in reference to a steamship of the day thought to be the largest in the world. For a writer, stumbling across such a name is like winning the lottery. I had to use it and began to. But then I thought: it’s too good; it must have been used before. A Google search quickly determined yes, indeed, Larry McMurty had beat me to it and nicknamed a prostitute The Great Western in his novel Dead Man’s Walk. Thus, The General was born. 

   The paragraph where Addy searches for Barbados—questioning variously-occupied negroes and then being pointed to a black-owned boardinghouse—derives from Lapp [96-103]. There were indeed ethnic concentrations in the city in March 1850, but I was vague in describing them because I wanted to paint San Francisco as being larger than it actually was. I have Addison ride a half-dozen blocks north on Kearny from the plaza to Little Chile, but in fact the latter was only one block from the square. The city in those days essentially ended at Broadway, just three blocks from the square, with tents predominating beyond to the base of Telegraph Hill. The population of the city was only about 25,000.

 

Section 4   

   I located the offices of the Vigilance Committee on Portsmouth Square simply to centralize the location while also having the building abut an open area that could contain a large gathering to witness a hanging. In fact committee offices (recall the committee did not even exist in 1850) were later located a half-dozen blocks closer to the water on Sacramento Street. The headquarters was known as Fort Gunnybags, for the latter day sandbags that guarded its perimeter. Both the ringing of the bell and overnight trial are from Navarro [205].

   I fictionally impugn the reputation of San Francisco’s sheriff in 1850, although I pull my punch by not naming him. The politicians and judges at the time were corrupt, and had thug enforcers, but the sheriff did not seem to be caught up in the legal laxity. The lawman was John Coffee (Jack) Hays, a highly regarded—indeed, legendary—former Texas Ranger, Mexican War veteran, and Comanche fighter who made his way to San Francisco as a 49er. (Hays was elected sheriff in April 1850, soon after this chapter concludes.) Background on the political scene at the time, specifically corrupt politicians transplanted from New York, is from Boessenecker [7]. The description of the vigilante headquarters hanging derives from a famous 1856 double defenestration lynching [Boessenecker 121(photo),122-23].

   Overall, attempting to describe 1850 San Francisco was a challenge. Barry & Patten [224] were helpful when it came to depicting the vicinity of the Ingraham’s fictitious house.

   The story about exiled Braxton Sware stumbling on a group of starving emigrants camped by a poor well in what would later be named Death Valley (and then being rescued by several of their party that went ahead for help and returned) is basically a retelling of the famous and ill-fated William Lewis Manley expedition. He was its leader and author of Death Valley in ’49. 

   The protection racket idea was inspired in part by Boessenecker [45], although New York “hounds” operated the rackets. I shifted control to Perit Slaughter and used Sydney Ducks as his bagmen.  

   

Section 5

   My description of the Presidio 1850 and the fortifications aside the Golden Gate derives from Barry & Patten [225-26] as well as Townsend [64].

   This sentence is from Marryat [40-41]: “There are no public lamps in the town at this time…But Commercial Street, which is composed entirely of saloons, is a blaze of light, and resounds with music from one end to the other.” The author was describing early Sacramento. I repurposed the account and made it San Francisco in spring 1850.

   

Section 6

   Navarro [201] tells a story about a runaway wagon that is so vivid I resolved to find a place for such an incident in Addison True. As I conceived the hostage-switch scene in this chapter it seemed like a good place to insert a runaway wagon. The intense drama of Navarro’s telling is enhanced by the spontaneous nature of the incident: a leisurely drive, a spooked horse, deadly danger. The real-life incident occurred in Stockton in 1851.

   The location of Slaughter’s hanging is a bit of an inside joke aimed at native San Franciscans. The head of the Vigilance Committee ordered a scaffold built “in that new park at Stockton and Post, at the edge of town,” which is now Union Square and essentially cultural ground zero for modern San Francisco.

CHAPTER FOUR  

   

Section 1

   When I originally outlined this chapter, but before beginning research on it, I imagined Los Angeles as the rendezvous point for Addy, Emmeline, and Eldredge and the start of the stagecoach journey, but I envisioned the city playing only a cameo role. As I began to read about L.A. circa 1855 I became fascinated and ended up expanding the pueblo’s role. There’s no questioning the fact that the city was one of the most dangerous towns—per capita—that has ever existed in the United States. Two reminiscences in particular paint an colorful portrait of the freewheeling city at its genesis and I relied heavily on both books in trying to recreate the look and feel of Los Angeles in the early days: Reminiscences of a Ranger or Early Times in Southern California by Major Horace Bell, and Sixty Years in Southern California, 1853-1913, subtitled Being the Reminiscences of Harris Newmark. The latter was edited by Newmark’s sons Maurice and Marco. Boessenecker [58,323] was also helpful in describing, and contextualizing, the dangerous state of affairs in Los Angeles at the time. 

   My description of the plaza was drawn from Newmark [61-63,112-14]. My description of the Bella Union hotel was drawn from Newmark [25-26], including the dog-kennel-like-hovels in back that sufficed for lodging [Bell 21-22].

   The sheriff at the time was indeed Jim Thompson, whose tenure followed on the heels of two lawmen assassinated within a year of each other. Despite a $10,000 salary (enormous at the time), the hazardous-duty position went begging for months until Thompson accepted the job [Bell 29]. 

   Playing cards through an open window was adopted from Newmark [81]. La Rue’s restaurant on the plaza did indeed exist as described by Newmark [27-29]. He was a Frenchman and the establishment had a dirt floor and rickety tables. Newmark described La Rue on one occasion bare-fingered plucking a dead fly from Newmark’s bowl of soup; I upped the ante and had La Rue dispatch a live fly with his cleaver. Both Newmark [30-31] and Bell [28-29] wrote about Calle de los Negros. “Nigger” Alley appears to have been the normative reference at the time. 

   I mostly make up names, such as Don Miguel Vicente, whose rancho I placed was west of Walker Pass. I gave him a Los Angeles-residing fictitious brother, Don Antonio, but named him in honor of a real-life Don. During my research I came to appreciate and respect the Dons. Their world was turned upside down by the Mexican War and California statehood, and while they had every reason to resent the insurgent gringos, many were magnanimous and longsuffering and on occasion physically protected the white minority when race relations threatened to boil over into violence. Newmark [174] writes “Of all these worthy Dons, possessing vast landed estates, Don Antonio Maria Lugo…was one of the most affluent and venerable.” 

   Sheriff Thompson’s claim that Addison could pluck a gold coin off the ground at full speed while mounted derives from Hobbs [42], speaking of Kit Carson. 

   The history of the cattle industry as related by Addy to Emma—“For years cows around here were slaughtered for their hides and tallow. The carcasses were left to rot in the fields”—is from Steele [45]. I make Addison out to be the originator of cattle drives from southern California to the gold mines, but such drives actually began “in the early days of the gold rush,” according to Cleland [103] which would have been at least one year, and closer to two, prior to Addy’s arrival in Los Angeles. My description of Californio riders parading into town past Addison and Emma derives from Newmark’s like description [157-159], plus Bell [22,26], Boessenecker [148], and AEvans [137-38]. Addy calling 1855 Los Angeles a “shooter’s town” derives from McGrath [191]. McGrath was actually describing infamous Bodie, California, on the eastern side of the Sierra, in the late 1870s and early 1880s, though the phrase was rather common vernacular in the wild west. 

   “The few women in sight were all Mexican and wearing chemise blouses clear showed their womanly” derives from “These [Mexican] women were dressed in the very cheapest manner, having generally nothing but a chemise and skirt to hide their charms…” [GEvans 22]. At the time, Evans was near San Antonio, Texas in 1849, headed for California. 

   A tragicomic strain runs through the history of the old west, particularly the gold rush, and I looked for ways to occasionally spotlight it. For instance, making the relative merits of oxen vs. mules the flashpoint in a Calle de los Negros barroom brawl struck me as an fitting representation of the fine line that seemed to exist between humor and violence or disaster. I recalled Mattes [38-41] discussing the pros and cons of mules versus oxen to haul wagons and transformed his exposition into raw material for the combatants in this scene. But the brawl was also inspired by an anecdote in Navarro [19] where he describes an argument among gold rush miners in Stockton, that turned heated, over what day of the week it was—Friday or Saturday. Addison musing on the advantage of mules as watchdogs derives from a remembrance by a teamster on the Santa Fe trail in Dary [148]. He described mules snorting at night when trouble was lurking, thus alerting pickets to potential trouble. 

   The party scene is based on a true event, as described by Bell [89-91] and Cleland [94]. It was a Washington’s birthday celebration at the home of Don Abel Stearns, from which the saloon class felt excluded. A mob of the latter did indeed appropriate a battering ram and old cannon and attack. It wasn’t all fun and games, however (though is was a shining example of the tragicomedy.) The Cleland account states that two of the attackers were shot and killed and two seriously wounded. I altered the time of year, the nature of the event, and host to hostess. There was indeed a wealthy “widow Williamson” in the city in that year whose late husband was an early Los Angeles “developer.” Peg Leg Smith, whom I turned into Peg Leg Price, was indeed an historical one-legged trapper and horse trafficker. He would often, according to legend, disjoin his prosthesis and weaponize it. According to Hobbs [62], Smith was beating two Mexicans with his detached wooden appendage in a bar when Hobbs and Kit Carson appeared and restrained him. Smith made a number of horse thieving raids into California beginning as early as 1829 [Hafen & Hafen 230], and continued for over a decade [241]. He neither lost his leg to a grizzly nor caught it in his own trap. According to legend, while alone trapping he was shot in the leg by an Indian. When gangrene set in, he unsheathed his bowie and amputated the appendage himself [Brands 150]. Smith passed through Los Angeles in the early 1850s so it isn’t a stretch to fictionally place him there in 1854 (he is believed to have died in 1866). He was not present for the real-life party assault but I thought it would be fun to include his unique character in the colorful affray. 

 

Section 2

   The Butterfield Overland Mail Company began running stages on the southern route in September 1857, so the Addy-Emma expedition in late 1854 is not farfetched, though a father letting his 19-year-old daughter make such a crossing is certainly a fictional stretch. In terms of Addison navigating and pathfinding, I reference a map of the route. Favour [137] writes about a map of the southwest drawn in 1851 by a military officer and widely copied. No official survey of the region had been conducted, but the map, based on information supplied by mountain men, was considered “surprisingly” accurate. 

 

Section 3

   My introduction to a jerkline—a method of driving a stagecoach or wagon without having to control all six or eight horses, mules, or oxen individually—is from David [211]. 

   The solo walker in the desert scene, just after the Mexican bandits encounter, was inspired by three items I came upon in my research. One was a brief mention in Mattes [81]: an argument on an emigrant wagon train traversing the Platte road led to a fight, murder, a meeting, and discharge of the offender from the company. The culprit was pointed towards Fort Kearney and forced to walk that way, alone, 181 miles. Another lone traveller was mentioned in Bratt [115-17] and a third in Scamehorn [42]. Given the vast stretches of unsettled land, stark conditions, and potentially hostile Indians, such singular journeymen struck me as remarkable. They were usually portrayed in journals as specter-like—appearing and drifting off. I wanted to find a place for such a traveller, somewhere, in Addison True. I inserted him here, with the intent of pair expository need with an interesting character. 

   The Yuma crossing scene is a complicated mix of fact and fiction. At points the historical record is so jumbled it resembles a literary version of the children’s party game “telephone.” There were actually three different Colorado River crossings. I portray the middle crossing. The Glanton gang was real. Glanton’s history, as described by “Lone Traveller”—the Governor of Chihuahua offering a bounty on Apache scalps and Glanton eventually turning to scalping Indians other than Apaches, plus Mexicans, and claiming all scalps were Apache—is from Cremony [116-17] and Harris [110]. But the gang’s presence on the river and their destruction was in 1849, not late 1854. And while the Maricopa and Pimo Indians had stellar reputations with emigrants, the Yuma, whom I made out to be largely friendly, or at least agreeable, in order to facilitate my storytelling, were viewed as treacherous by most journal writers. I had Glanton steal the Yuma’s ferry, but according to Harris [111], Glanton built one. The Yuma were nevertheless incensed at the competition, and according to Cremony (who doesn’t mention a ferry) the tribe, espousing friendship, attacked the Glanton gang around a communal campfire [112-13]. All but one or two were killed. According to Hobbs [213-14], the Yuma were aided by two Mexicans whose wives had been stolen by Glanton and his gang, although Hobbs inexplicably refers to John Joel Glanton as “Dr. Craig.” I inserted Addy and Emma into the Hobbs version of events while altering circumstances for my purposes. Because of emigrant complaints about the Yumas, a small U.S. army garrison was established and stationed along the river (Fort Yuma, near the upper crossing) essentially from 1849 onwards, until the 1880s, though with a brief break in 1851-52. I pretend this military presence did not exist. Indeed, this scene basically portrays the river crossing as it was in 1849, rather than 1854. By the latter date a steamship had actually made its way up the Colorado River to resupply Fort Yuma. I also located the Yuma village on the flood plain. That is indeed where their fields were located, but in order to avoid annual floodwaters the villages themselves were atop nearby mesas [GEllis 20]. 

   Since Addison spends so much time with his horse, Blue, throughout the book, I wanted them to have a special bond. The idea that the roan came on command (Man With Horse Like Dog) is not without precedent. The famous Confederate general J.E.B. Stuart had trained a horse in such a manner when he was stationed in Kansas in the mid-1850s [Monaghan 45]. 

 

Section 4

   There was a story in Mattes [77] about a boy who was orphaned when his father was drowned during a river crossing of the Kaw (now Kansas) river on the Emigrant Trail and “left with two renegade Dutchmen.” According to a diarist Mattes quotes, there was no doubt they killed the boy and “…threw him in the river for the sake of getting the wagon and team!” That is the extent of the information provided. 

   The Samuel character was inspired by a former slave a diarist met in the diggings [Scamehorn 167]. The black man had bought his freedom five years before, upon his master’s death, and had come to California in hopes of making enough money to purchase freedom for his wife and six children. The former slave had made some money but did not appear well and the diarist does not mention him again. Samuel’s backstory was further developed from various anecdotes about slaves in the gold rush in the Lapp book, particularly family members being held “hostage” to ensure the slaves return to the south [21]. 

 

Section 5

   The Ford Fingers character is modeled on previously-mentioned James Beckwourth. He is one of the more interesting figures of the mountain man era and his “memoir” easily the most entertaining. He was a mulatto who indeed lived with the Crows and apparently became some kind of chief. Historians are divided when it comes to the authenticity of his “as told to” Thomas Bonner autobiography. While Beckwourth without a doubt lived with the Crows for many years and was some sort of headman, the book reads like a spaghetti western screenplay. The body count of Indian braves from other tribes he dispatched and the number of horses he stole is staggering. I make light of Beckwourth/Fingers boasting in the text, but I’m certainly not complaining about the exaggerations. Beckwourth’s flights of imagination spurred mine and were welcome relief from the dozens of dry-as-unbuttered-toast diaries I endured, penned by non-storytelling pioneers. And Beckwourth doubly-inspired me when it came to the Fingers character: I have Ford adopt not only Beckwourth’s life story but his bravado persona as well. 

   Bonner [596] writes about Beckwourth signing on to deliver mail from Sacramento to Santa Fe in 1849. Apparently he was too drunk to even initiate the journey, but I decided to use the concept. Beckwourth apparently did carry dispatches between Santa Fe and Fort Leavenworth [Bonner 477].

   The idea for the Mississippians coming into the trading post in Tucson and simply taking whatever they wanted also derives from Bonner/Beckwourth, I believe, but I can’t locate the reference. Contrary to the popular belief that mountain men were the ultimate loners (although some were), trappers often travelled in large groups for safety, or large groups that split up when they reached sheltered trapping grounds in the Rockies. I believe it is Beckwourth who tells the story of a large group of well armed and prone-to-violence trappers simply taking things from settlers they happened upon, like pigs and chicken. 

   I adopted two phrases from texts in this section. “Free-roaming pigs sought their living amongst it” derives from EPerkins/Clark [5]. And I loved “seek other society” when I read it in Manly [188]. I use it here in relation to the Mississippians expelling Addy, though Manly was referencing a recalcitrant mule.

 

Section 6

   I don’t know if I’m being fair to the Apache here in chapter 4. I certainly represent them as they are portrayed by several contemporary writers, such as Cremony, on whom I was heavily dependent for context and anecdotal material. That said, I read Cremony first, and came away with the belief that there was a hostile Apache hiding under ever sagebrush from the Rio Grande to the Colorado. Other emigrant diaries failed to detail a single, direct, violent encounter with the tribe. Wherever the truth may lie, I needed bad guys and the Apaches got the tap on the shoulder.

   My use of the term jornada comes from Hafen & Hafen [322].

   The lengthy story Ford Fingers tells of creeping up on four antelope, plus another a short distance off, shooting at the lone animal, then discovering it is an Indian dressed in an antelope skin, comes from Cremony [28], although I subsequently read two other similar accounts, in Bonner [97] and Irving [302] (where the target was an elk). One wonders to what extent it may have been an old west “urban legend.”

   Basic information about the “new” Colt five-shooter is accurate: Samuel couldn’t find a market for his invention until the Republic of Texas placed a substantial order for the Texas Rangers. The pistols were first employed, to devastating effect, against the Comanche at the Battle of Walker’s Creek in 1844 [Gwynne 145-46]. The Rangers ran out of ammunition while still vastly outnumbered by Comanches. Only one man had bullets left. Captain Jack Hays (yes, the sheriff of San Francisco in 1850) ordered the man to shoot the chief, which he did. The remaining Comanches fled [Gwynne 147]. I incorporated that story into one of Ford Fingers tall tales. 

   I needed to set-up Fingers’ knowledge of the Apache so that the chapter’s denouement in Santa Fe—where the reader finds out he was not chief of the Crows but rather an Apache chief—is credible. Likewise, I felt it was necessary to both foreshadow the Apaches sudden attack in the desert as well as introduce the chapter’s primary adversary to readers. My synergistic solution was to have Fingers count down a top eight things to know about the Apache. All derive from Cremony:

   8. Shaking hands with a rider, pulling him off his horse and stabbing him [27]

   7. Come to camp not to trade but for the purpose of malicious reconnoiter [79]

   6. Fingers’ description of Apache character [86]

   5. Apache don’t attack at night [140]

   4. Keeps your guns at hand and loaded [139]

   3. Apache intelligence [187] and a tracking technique based on “natural juice still left in the crushed grass” [184]

   2. Surveil and track you for days unbeknownst [87,140]

   1. Attack when least expected [139]

   The surprise attack by Apaches buried in the sand on either side of the road derives from two sources: Cremony [87-88] and Hamilton [324]. In the Cremony version, the travellers were a Mexican army officer named Diaz and a compatriot walking along an open road. A single Apache, Cuchillo Negro, rose out of the sand so quickly that Diaz’s first awareness of the Indian’s presence was the latter grasping his wrist. Cuchillo Negro knew Diaz and liked him and proposed sparing Diaz’s life in exchange for Diaz agreeing to abandon a temporary nearby fortification. The shocked and nearly speechless Diaz agreed and later followed through on his promise. 

   The wearing of sagebrush tied to the top of their heads is from Hobbs [324].

   This Notes section exists to cite references to research material adapted for use in Addison True, not to list the myriads ways in which the novel departs from history and/or reality. But allow me to cite one such departure so that the reader might understand I am aware, but choose to ignore, inauthenticity. I have mounted Apache attacking Addy, Emma, and others throughout chapter 4. Gwynne [32] notes that just Kiowas and Comanches, among horse tribes, fought entirely mounted, while  “only in the movies did the Apaches attack riding horses.” And in novels.

   Escaping down cliffs by lashing together various ropes, whips, and reins was inspired by a story in Boessenecker [124]. The feat was attempted by bandidos chased by an 1857 posse in southern California (that included the ubiquitous Jim Thompson). 

   The historic range of grizzly bears did indeed extend into the region of present day Arizona where I have Addison and Emma stumble onto one — though they resided in the mountains, between stretches of open desert, and not on the arid flats themselves. Eccleston [192] describes an emigrant killing a “bear” in near the San Pedro river—though it wasn’t necessarily a grizzly. Still-“smoking” scat is from Boessenecker [230]. The San Pedro river would not only be a logical camping spot for 19th century Apache, Eccleston specifically saw signs of some five hundred Indians camped along the San Pedro in 1849 [193].

   Although the kidnapping of Mexican villagers in the Sonora desert—including parts of what is now southern New Mexico and Arizona—by Apache raiders (and their subsequent enslavement) is commonly mentioned in the journals of travelers on the southern route, Cesar’s “back story” is largely drawn from Harris [36-37]. Typically all men were put to the knife in such raids and women and children taken captive. It worked out to employ those historical circumstances in the person of young Cesar as a way of “exposing” Ford Fingers’ duplicity. 

 

Section 7

   I got the idea for Addy and Emma taking saddles off dead horses in the desert from George Ellis, quoting 1849 diarist and southern route traveler AB Clarke, who wrote that any emigrant seeing a better saddle than his own on a dead horse would swap. 

   It was in Harris that I read about a horse and rider plunging into a river after a long waterless desert crossing [44]. I was charmed by the mental image of horse and rider in mutual bliss floating down a river drinking its water and simply luxuriating in it. 

   The description of the Santa Fe plaza back in the day was drawn largely from Hafen & Hafen [25].

   What is purported to be the oldest known photo of Santa Fe, taken in 1855, is a street scene showing a collection of men standing about. In the background is a store with a sign above: Seligman and Clever. It was indeed a merchandising and freighting operation. In the interests of historicity, I thought it would be fun to give Seligman & Clever a shout-out in Addison True.  

   Ford Fingers prior association with the Apaches is not a fictional stretch. Besides the aforementioned Beckwourth connection to the Crows, according to Hobbs [81], a Scotsman by the name of James Kirker, apparently in the 1840s, became “chief of the Apache nation.” Kirker had a reward of $9,000 put on his head by the Governor of Chihuahua province. He was a turncoat, eventually proposing to help the governor “kill off the Apaches, as he knew their traits” in exchange for the governor sparing his life. 

   Kit Carson was the Indian agent for New Mexico Territory and owned a ranch east of Taos at the time Addy and Emma passed through Santa Fe (at the end of 1854). So he could have been in town on Christmas Eve 1854…

   The idea for using a rope burn scar on the neck of a man—caused by a prior unsuccessful lynching—to identify him as a miscreant, is from Boessenecker [128]. Once again the location was southern California and Jim Thompson was involved. 

 

Section 8

   I wrote Emma’s lengthy chapter 2 anecdote about her father before I ever visited Saint Joseph. Several 49er journals mentioned the steep grade (“…steep to almost perpendicularity…”) on the Kansas side of the Missouri river, opposite town [EPerkins/Clark 12]. There is even a painting of such a hill, with emigrant wagons scaling it, which must have been imagined either on the basis of the same journals I read or simply as the artist’s idealized version of the scene. In any case I was disappointed, upon visiting, to see that, whereas the Missouri is bluff-lined on the St. Joseph (east) bank, it is not so on the Kansas side. The tableland (floodplain) on the west bank is only 6-10 above the river there. Reality thus ruined Emma’s send up of her father, not to mention the mental image of Addison’s property perched high above the river. But fiction affords flexibility so I ditched topographical accuracy—channeling a Hudson River School artist—and retained the bluff.

 

CHAPTER FIVE 

 

   The narrative shadows history more closely in this chapter than in previous ones. There was indeed a real-life General William Harney and Lieutenant Gouverneur Warren. As related in the novel, Warren was an engineer, West Point grad, surveyed possible railroad routes across the Plains, and was charged with demarcating a military reservation near Fort Pierre in 1855. Same with mapping the Dakotahs and the Upper Yellowstone, though he more likely expected to do that (and did) in 1856. Harney initiated the real-life Battle of Blue Water Creek (also known as the Battle of Ash Hollow), largely in retaliation for the Grattan massacre. The battle was fought on September 3, 1855. I treated that date as sacrosanct and built the chronology of the chapter around it. Blue Water Creek and the First Sioux War 1854-56, by R. Eli Paul served as an invaluable resource and will be cited throughout the notes section for this chapter; his book essentially saved me from having to duplicate much of his research. 

 

Section 1

   The expository conversation between Addy and Red Sleeve is a fairly accurate rendition of two historic events: the Treaty of 1851 and the Grattan Massacre.

   Red Sleeve’s mother earning special status in the tribe by being married to a trapper and acting as an interpreter and intermediary with whites—and thus becoming an attractive mate to a Brule chief when she was widowed—is adapted from Sage [87] and Irving [193-94].

   The aside about the industrious mule grabbing a bite to eat along the side of the trail derives from Manley [118]. The referenced killing of a U.S. mail rider by Sioux raiders at Plum Creek (near present day Lexington, Nebraska) in 1854 is often cited as one of the reasons for increased tensions that led to the Grattan affair and thus the Harney punitive expedition in 1855 [Mattes 263]. 

   Black Wolf is a fictitious character, not a historical figure. Neither is he a composite, though I did have in mind elements of Bull Bear’s personality and biography. He was a Sioux chief thug who murdered rivals, stole any squaw who caught his eye, and was later killed by Red Cloud [DeVoto 317]. At the Battle of Blue Water Creek I have Black Wolf assume the role of real-life Little Thunder, but he is not meant to assume the character of Little Thunder. Several of the names I chose for Indians mirror noted historical Native Americans, but that is less coincidental than inevitable when combining a color and the name of an animal. For instance, I had already finished writing this chapter when I discovered there was a “real” Black Wolf. He made a brief but impactful visit on history, leading the breakaway of a Sioux column being forcibly marched from Fort Laramie to Fort Kearny in June 1865 [Nadeau 181]. Again, “my” Black Wolf is not patterned on “that” Black Wolf, about whom little is known.

   The first time I ever read about scalp shirts was in Grinnell [Cheyenne 58-59]. 

   The name Red Sleeve derives from Sides [329]. It was the name (Red Sleeves) the Navajo adopted for an Indian agent they liked and respected in the 1850s. My adoption of the name is a meager tribute to the agent, Henry Linn Dodge. He lived among the Navajo, learned their language and customs, taught them metallurgy and lobbied for the creation of schools. Navajo raiding essentially ceased during his tenure. Had there been more Indian agents like Henry Linn Dodge in the 19th century, both red man and white may have experienced far less heartache and bloodshed. 

 

Section 2

   General Harney did not set foot in Saint Joseph in early 1855; he and his troops began their march at Fort Leavenworth on August 4 and proceeded northwest on the emigrant trail through newly established Kansas Territory to Fort Kearny, bypassing Saint Joe [Paul 57]. Lieutenant Warren did indeed travel to Fort Pierre by steamship, but as far as I can determine he did not visit Saint Joseph. If he did, it would have been a whistle stop. He passed Saint Joseph, on the Missouri River, approximately June 18-20 [Paul 69]. Thus the presence of Harney, Warren, and milling soldiers in Saint Joseph in May 1855 is entirely fictitious, though history does provide a fig leaf for my fiction. While General Harney did not leave Leavenworth until mid-summer, he visited the city from his temporary base in Saint Louis in early May [Paul 42], so he was in the region around the time of this chapter’s action in Saint Joseph.

   Red Sleeve’s recapitulation of the Grattan massacre in section 1, and Addison’s recitation of the same for Harney here in section 2, is drawn from several sources, but I found Paul’s to be most convincing [18-24]. Warren’s explanation to Addy regarding General Harney’s overall strategy for the coming campaign is also from Paul [40,58]. 

 

Section 3

   My target audience for Addison True is the general reader, so I avoided specific and lengthy descriptions of weaponry. Still, by necessity, armaments are a constant presence in the story, so I mention when Addy acquires a new firearm. For instance, I note in this chapter Addison’s switch from the Mississippi “Yager” rifle he employed in the first four chapters, to a Sharps rifle, which became available to the army in 1855. I underplayed the capability of both weapons. I implied the Mississippi musket was accurate to about 350 yards and the Sharps to about 500. In reality the range of a Yager was a bit longer and the Sharps could be fitted to hit targets at up to 1,000 yards. Those realities put pressure on my fiction. Indians having to stand off 1,000 yards for fear of being hit negatively impacts narrative possibilities. For instance, if you imagine combatants calling out to each other—whether catcalling or negotiating—that’s not going to happen at 1,000 yards. For that reason I arbitrarily limited the Sharps range to 400 yards. Paul provides details on models, features, and availability in 1855—when the rifles were actually issued to troops—as well as a description of minie balls [44-45,51-52]. Sharps manufactured both rifles and carbines. Although they are distinct designs, I sometimes use the terms interchangeably simply to avoid word repetition.

   Making Black Wolf a killer of his fellow Sioux afforded me the opportunity to ally Addy with other Indians in pursuit of him (or merely in conflict with him). Using intratribal murder as a narrative device derives from Allen’s description of an infamous Wasco Indian in 1830s Oregon. Cockstock was a slayer of whites and fellow Indians [229]. Black Wolf also incorporates the internecine homicidal tendencies of previously-referenced Sioux Chief Bull Bear. 

   The general description of Fort Pierre and conditions there derives from Paul [70-74], including initiation of mail service down river. Warren did indeed essentially defy orders and cross dangerous Nebraska territory from Fort Pierre to Fort Kearny in company with seven seasoned trappers and half-breeds serving as guides and guards [Warren 79]. I chose to portray the party as raw army recruits and engineer types, plus one (sickly) guide, simply to showcase Addison’s valor.

   Addy’s observation—while tracking—that Indian horses had passed by a particular spot only an hour before, based on displaced mud having not settled back into the hoof prints, is from David [217].

   Addison nearly shooting Spotted Elk, presuming he had murdered settlers along the Missouri River, is a riff on a story Reid/Gordon tell [118]. In 1849 a Kentucky wagon train crossing present-day Nevada bound for the gold fields lost seven oxen overnight. As the diary’s author passed the train the next morning he saw that an old, ill, and ill-clothed Indian had wandered into the Kentuckians camp. The outraged emigrants presumed his guilt in the “theft,” surrounded him, hurled angry accusations, bound him, and were leading him away to be whipped to confess—and perhaps killed in the process—when someone called out that the oxen were found in a willow thicket. The Indian was immediately released and given a “hearty meal.” (One wonders about his appetite.) I wanted to show how easily, in those tinderbox times, snap judgments could lead to violence and tragedy. The Reid story and the fictitious Spotted Elk tale are examples of near misses, while the Grattan Massacre is an example of a non-near miss—the spark catching and the powder keg exploding. 

   I previously mentioned Indian camouflage techniques; for instance, Apache attaching sagebrush to their heads and hiding in the desert sand. The Sioux practice of tying prairie grass to their heads in order to blend while spying along the crests of prairie swells (adapted in this section) is from David [285]. I came across references to scalp dances fairly frequently in my research, but drew mostly from Humfreville’s specific description [334].

 

Section 4

   Addy’s concern that the glint from a shiny button on Stogie’s coat might reveal their position to Sioux warriors miles across the Plains derives from Sides [95]. Hunters employing red cloth to lure curious antelope is well referenced in western literature but I first read about the trick in Sage [56] and later in Carleton [205].

   Building a cook fire, eating, then moving off to actually camp (sleep) elsewhere is an old trapper trick. Indeed, leaving behind a burning or smoldering campfire was doubly ingenious. Because Indians typically attacked at dawn, the maneuver pinned the attackers to the false location all night. But it also concentrated, in one spot, hostiles that might otherwise be patrolling a wide area geographic area. When breaking day made evident the trickery, the perpetrators of the ruse were breaking camp several miles away. Irving [511] mentions this as well as Manly [72]. 

   My first exposure to a buffalo surround was in Bonner [44]. Most of the specifics in the long surround sequence are my creation, with three assists:

  • The idea for Addison and Stogie mugging down their horses and gagging them is from Bonner [478]. Beckwourth tells a story about seeing buffalo being chased by Pawnee and hiding in some nearby brush, taking down his horse, gagging him, tying him, and remaining like that all day until the Pawnee moved off. 

  • Beckwourth mentions Indians had no bonesetters; they would simply bandage a fracture and hope it healed properly [Bonner 257 note].     

  • Addy shooting the dog in order to win a reprieve for Stogie after the two men are caught in and semi-escape the surround was inspired by a story in Colton [284]. He tells of arriving home to find three Indians patiently awaiting him, squatting near a red belt hanging from a tree. They wanted to purchase it. Each offered gold. Colton selected the largest nugget amongst the three and turned over the belt. But the transaction that he assumed was over was not. The Indians, with sign language, then asked for a coin. They notched the end of a stick, fitted the coin therein, and then set the upraised stick in the ground forty yards off. They drew lots to see who would shoot first, and then each fired an arrow at it. All three missed. In the second round one grazed the coin and another struck it flush. The latter was awarded the belt, and with raucous good cheer, the trio made their departure.

 

   As with the Maidu and Yumas, I consulted on-line resources to determine the Sioux translation of English words but rarely found exact matches. Thus the Sioux words that appear in italics are accurate in some cases and largely my creation in others. 

   Regarding Addison’s bow made from the antlers of a bighorn sheep: as previously mentioned, Jim Beckwourth claimed in Bonner [286] that such bows were superior to those fashioned from elk antlers and buffalo horns. (Recall he was the Crow Indian chief I partially fashioned Ford Fingers’ character after and the Crows were a mountain tribe, so Beckwourth should have some credibility on the subject.) So I had Addy acquire such a bow in California from the Maidu because bighorn sheep were prevalent in the nearby High Sierra. I ignorantly thought they only lived in the High Sierra. In fact the quadruped’s historic range was vast, including the Rockies. Indeed, in the 19th century, bighorns actually ranged out onto the high plains of present-day western Nebraska—to within a few hundred miles of where my fictitious surround occurred. But I learned that after I had already written the surround sequence, including Addison showing off his “unique” bow to the Sioux. Since 99% of readers wouldn’t know any of this until reading it here, I left it be: the Sioux were wowed by Addy’s nearly mystical and “foreign” bighorn bow. In subsequent reading I never came upon a similar Beckwourthian boast about the superiority of bighorn bows. 

   A number of Indian tribes ate dog regularly, others eschewed it. The Sioux were dog eaters.

 

Section 5

   Roasting chunks of buffalo meat on vertical sticks around a fire comes from Storer & Tevis [189] quoting Bartlett’s description, and Sage [66]. I cooked up, as it were, the part about the sticks being broken arrows. Indians riding “commando style” atop buffalo meat piled on their horses derives from Mattes [227]. I had a little fun with it: historically it was indeed Pawnee that were observed doing this, not Sioux.

   I have Addison and Stogie wondering about being the first white men in a particular area of Nebraska Territory and talking about naming a river after themselves. Obviously vast stretches of the Plains between major river systems had yet to be traversed by white men by 1855, but those vast stretches were not where Addy and Bumpus were. That particular geography had seen regular movement of small units of soldiers, and before them trappers, between Forts Laramie and Pierre. Indeed, a “trader’s trail” that linked the forts followed the north side of the White River, and another tracked along the Niobrara. [Chaky 20 (map), 39,46]

   Surviving on gooseberries and wild plums is from Sides [68].

   The paragraph attributed to Murfrees Toogood about cow buffalo meat being more tender than bull buffalo meat is adapted from Sage [64].

   Addison and Stogie’s encounter with the eagle trap had its genesis in the description of such a device in Grinnell [Blackfoot 237]. He also mentions the Cheyenne version of an eagle trap in The Cheyenne Indians [301].

   I employ a couple of specific turns of phrase in this section taken or adapted from other sources:

   ÂŸ I couldn’t resist the phrasing “fruitful of calamity”—which struck me as something Stogie would say. It was written by diarist Edwin Banks [Scamehorn 67].

   ÂŸ I’m not sure why I delight in using nautical terms (I’m not a sailor) to remind the reader of Addy’s whaling roots, but I do. Addison’s remonstration to Stogie to “stick to the deck” (remain on his horse and not fall off) derives from Manly [290].

   ÂŸ “Gonna put a bullet in his (Black Wolf’s) buckskin” derives from David [152]: any Indian that came in range “…got a bullet in his blanket.”

Ÿ Hoka Hey being Sioux for “charge” is from Neihardt [56].    

   The reader may recall the scene from chapter 2 in which Addy is stripped and forced to run for his life from dozens of Paiutes—which was adopted from an adventure experienced by real-life John Colter. The trapper eventually affected his escape by hiding under a raft of driftwood [Harris 126]. The arriving Blackfeet suspected he was hidden there and even climbed atop the raft, but didn’t find him and eventually gave up the search and pursuit. By night Colter made his escape. I expanded on that clever idea to liberate Addison, Stogie, and their horses from an island in the Platte.

   Leading an extra mount while chasing someone horseback, and then switching to the fresh mount in order to gain ground, may sound obvious, but the first time I read about it was in Bonner [345]. I employed the concept in this section, and then, in various forms, additional times in the narrative. 

   Addy and Stogie escaping Black Wolf and his band by melting into a buffalo herd, knowing movement of the herd would obscure their tracks, derives from Lowe [102] and Dary [229].

 

Section 6

   Describing Fort Laramie in 1855 was a challenge. There is no photographic record from that time, though a somewhat distant shot taken in 1858 was certainly helpful. There are plenty of emigrant reports, but most date from the early gold rush and can be contradictory. Some indicate a palisades type fort (reports of the height of the walls vary widely) while others describe it as adobe. (The sprawling complex most likely had both types of construction.) Since Hollywood has conditioned us to see forts as vertically-staked, palisaded tree trunks, I implied that building style. In the end, I mostly relied on a painting by Alfred Jacob Miller. The watercolor landscape shows the fort in its full glory and Indians camped nearby. He also did a famous watercolor of the interior of the fort. But here again, the paintings were done around 1858 (in Miller’s east coast studio) while depicting an earlier time period (Miller travelled the west in the late 1830s). Referring to Laramie as an “oasis” is from Devoto [319].

   While authenticity is important to me, my strategy is to integrate it into storytelling and never let it elbow storytelling aside. Thus I avoided distracting references to everyday necessities, such as wagon and stagecoach maintenance and repair in chapters 2 and 4, or the care and feeding of livestock throughout the novel. My extensive (by my standards) account of Addison doting on Blue upon their arrival at Laramie was a conscious exception. I was inspired by Cremony’s description of the attention he lavished on his horse after it carried him to safety 125 miles in 21 hours escaping an Apache attack [78]. Addy’s like ministrations are a veiled acknowledgment to readers that I understand how unrealistically hard horses and mules are pushed in Addison True.

   The squaw camp outside Laramie is mentioned frequently in the various texts I consulted. To the extent I describe it in this chapter, specifics are drawn mainly from Ware [200]. It is also Ware [203] who chronicles Jim Bridger in 1864 sitting in front of the sutler’s store evenings telling tales of his adventures. The sutler’s store was actually outside the fort along with officer’s quarters. I moved it inside simply because the general perception of forts is that everything was located inside the walls. 

   The oats versus corn debate, with the officer’s young son, is adopted from both Lowe [120] and Ware [39].

   Major Hoffman was the real-life commander at Fort Laramie in late August 1855. He was brought in following the Grattan debacle the year before. By all accounts was an excellent commander and, indeed, rather proficient when it came to intelligence gathering on Indians [Paul 46].

   “Solitaire [solitary] as an oyster” is from Charles Dickens A Christmas Carol, published in 1843.

   Red Sleeve using three rocks to show the tripartite disposition of Sioux bands towards the white man and his peace overtures was my why of representing various strains of Indian thought. Real-life Indian agent Thomas Twiss did indeed send out runners to the various bands and tribes requesting they come to Fort Laramie in 1855 in order to avoid conflict with Harney’s forces. Many came [Paul 84-86; Mattes 314]. Others did not. So certainly there were two groups: those inclined toward peace and those inclined otherwise. I chose to create a third group—those caught in between—to highlight the trapped position I believe many Sioux must have felt themselves to be in, and in particular to set up Mourning Dove’s dilemma as the dramatic pivot point of the chapter. The Sioux were indeed quarreling amongst themselves at this time over the martial crisis and at least one observer thought they might be as ready to fight each other as the Army [Paul 57]. Thus my fictitious squabble between chiefs Mourning Dove and Black Wolf has some basis in historical fact.

   The Sioux—and other Plains tribes—savoring raw parts of freshly killed buffalo is accurate depiction. For instance, Indians enjoying raw liver basted in the contents of the gall bladder derives from Sides [18], while the legs of a fetal calf being a particular delicacy was reported by Favour [97].

   Hetchetu aloh…It is so indeed…is from Neihardt [95]. 

   Grinnell [Cheyenne 5] mentions a real-life tribesman by the name of Many Magpies. I instantly fell for the appellation and tried riffing off of it, but no variation worked as well as the original so I simply adopted the true name.

   Mid-19th century accounts by writers who lived among or frequently interacted with Indians oft noted how eloquently chiefs spoke [Meacham 85]. I wanted to capture a bit of that somewhere in Addison True and the confrontation between Mourning Dove and Black Wolf at the powwow/council seemed to be an appropriate occasion (as well as Black Wolf’s speech in chapter 10). I made up most of Mourning Dove’s plea for peace but was guided in a big-picture sense by a speech Paiute Chief Numaga gave to his people in Nevada in 1862, as related by McGrath [23-24].

   We come to the Battle of Ash Hollow (Blue Water Creek). In the first four chapters I generally avoid weaving actual people and events into the narrative. But incorporating the real-life Battle of Ash Hollow made sense. It is generally viewed as the opening armed confrontation in the Sioux War (the Grattan Massacre was hardly a “battle”), but it was so decisive a victory for the Army that it was essentially the only battle (involving large-scale use of troops) for the next ten years, until shortly after the Civil War. Given Addy’s presence on the Plains at this time—the warm season of 1855—I couldn’t imagine keeping him away from the fight.

   The reader is invited to consult the map of the battle drawn by real-life Lt. Warren soon after the engagement. Recall that he was a topographer by training. In addition to the Paul book, I am much indebted to Mattes’ account of the clash [317-28], which also pieced together many original sources. First and foremost it should be explained that the fight took place on Blue Water Creek, as described in Addison True, even though it is known to history as the Battle of Ash Hollow, which is located a few miles east.

   General Harney did indeed send Cooke’s mounted force on a broad swing or loop east out onto the Plains beginning at 3 a.m. and ending with the captain positioned several miles up Blue Water Creek to cutoff Sioux escape to the north [Paul 89]. Harney left at 4 a.m. [Paul 91] His troops tracked up the west side of the creek (I have Addy going up the east side). Harney’s forces reached where the Brule had stayed overnight but the Indians had struck camp. I needed Addison to be aware that a fight had started so that he could race toward the action and interact in the events that followed. To that end, I had Harney’s forces fire on the first Brule camp they came upon; historically they did not. 

   A half-hour peace parlay did occur between Harney and Little Thunder (who Black Wolf represents in my story) a little less than a mile north of the Brule lodges. I make it sound as if Black Wolf is playing games, initiating the meeting to allow his troops to get positioned—or women and children to flee—but according to Paul [93] it was Harney who initiated the conversation, worried that Cooke was not yet properly disposed. In both novel and history the talks broke down. Almost immediately thereafter Harney ordered his troops to fire [Paul 95]. I have Addy coming upon the battle and troops firing across the valley (toward the Oglala encampment three miles north of the Brule lodges) from the eastern tableland. In fact the troops essentially charged straight up the valley and the western slope.

   The next few paragraphs in Addison True describe the aftermath of a skirmish at a location known as Hudson’s Hole. Women and children were indeed intermixed among the combatants in the “caves” along the west side of the creek valley and a child’s cry halted the fighting in that location [Paul 104]. Lt. Warren gave a first hand account of the suffering and horrible wounds suffered by women and children. Those observations, fictionalized, are interwoven. Warren also helped the wounded [Paul 105], a reality I leverage in the story; that is, asking Addy to assist him and holding him at the scene allowed me to delay Addison’s continued movement north so that he doesn’t arrive in time to save ill-fated Mourning Dove. 

   A chapter in Bury My Heart At Wounded Knee by Dee Brown [213-34] tells the story of the Modoc War and Modoc Chief Captain Jack. The history of the Modocs is too extensive to relate here, but when a boy, Captain Jack’s father, a chief, along with other members of the tribe, attended a feast held under a truce flag by whites, and was ambushed and slaughtered [Meacham 205; Riddle 28-30]. Years later, Captain Jack twice agreed to relocate his people to a reservation only to turn around and leave twice because his band was forced to cohabitate on the reservation with their historic enemies the Klamath, who harassed them. Captain Jack then thought he had an agreement for a postage stamp-sized Modoc-only reservation on a sliver of the tribe’s historic homeland. That tentative agreement fell through. Soldiers came. And in a scene eerily reminiscent of the Grattan affair, the Modoc agreed to surrender and go to the reservation again, but just as all of their arms had been collected, a shot was fired and a war was ignited [Riddle 44-46]. Again, truncating a long story with many chapters, the Modoc successfully holed-up in a forbidding, lava rock-strewn wasteland on the Oregon-California border. Washington wanted peace and Captain Jack advocated surrender, but the young hotheads (and cold-blooded killers, who targeted and slaughtered settlers right after hostilities broke out) in his band threw a woman’s shawl over his shoulders and called him a coward [Meacham 315; Riddle 72]. Jack was angered and agreed to the hothead’s plan to kill members of a planned peace party, including the commanding officer on the scene, General Canby. Meeting under a white flag in no man’s land, the Indians opened fire with hidden arms, including Jack. The Modoc then retreated and successfully defended their position for another length of time, but were eventually forced out of their redoubt, split up, and fled. Those who had slaughtered settlers, thrown the woman’s shawl over Jack’s shoulders, and participated in the murders under the white flag, turned themselves into the Army and helped track and capture Captain Jack, who was the last Modoc at large. Captain Jack’s betrayers were eventually turned loose. Jack was tried by an Army court and hung. With that background the reader will note how I adapted a number of the particulars and themes of the Modoc/Captain Jack story to Mourning Dove and the Battle of Blue Water Creek. The dilemma Captain Jack faced—archly symbolic of the dilemma faced again and again by Indian chiefs in the 19th century—became Chief Mourning Dove’s challenge. Black Wolf symbolized the Modoc hotheads that threw the shawl over Captain Jack’s shoulders and Black Wolf likewise betrays Mourning Dove. Historically, Captain Jack was surrounded much like Mourning Dove, but he chose to surrender rather than die on the battlefield [Meacham 393; Riddle 149-50]. 

    I attempted to correspond my fictional storytelling with the timing of historical post-battle events. That is, Harney did indeed regroup near Blue Water Creek for five days [Paul 129]; left Laramie for Pierre on September 29 [Paul 137]; and reached Pierre on October 19 [Paul 141] (leaving his troops behind on the Plains, caught in a snowstorm). The winter of ‘55-‘56 was in fact very severe [Paul 141], giving me a historical fig-leaf for delaying Addy’s ultimate arrival at Saint Joe until December 27.

 

Section 7

   Addison’s anecdote about the cannon on the mule is adapted from Hopkins [196]. Addy’s rendition follows Sarah’s fairly closely, though I shifted the timing. It was in the 1870s that soldiers in Nevada fired a small cannon at Indians across a deep canyon, from atop a high ridge, prior to removing the weapon from the back of the mule transporting it. The draft animal suffered the consequences of recoil; combined with the certain effects of gravity, it did indeed tumble off the ridge. Its ultimate fate is not recorded.

   The scene in which a Crow surreptitiously steals Stogie’s knife was inspired by an incident that happened to Bonneville in the early 1830s. A war party of Crows (on their way to avenge a Cheyenne misdeed) encountered a group of trappers and “proved exceedingly, in fact suffocatingly, friendly; they could hardly be pried away from the new white friends” and when they were, the trappers found they were absent any loose belongings [DeVoto 54]. Ironically, the historic scene took place near Laramie Fork, close to the site where Fort Laramie would soon be established. 

   Jim Bridger was indeed a legend—in his own time—by 1855. Not only is his resume accurate as I relate it in the novel (discover of the Great Salt Lake and South Pass, and second to lay eyes on Yellowstone), but he was the subject of dime novels beginning in 1849. Thus Addison recognizing him is legitimate. Bridger did spend a lot of time at Laramie, though he also had his own fort in present day Utah. He would not have been at Laramie, however, in late summer 1855. He was in Montana at the time. A wealthy and eccentric British aristocrat, Sir George Gore, organized a two-year (yes, two year) American “safari” to the region (with a retinue of 40) and hired Bridger as pilot and guide [Alter 259-62].

   The story Gabe tells about being with Kit Carson and losing his horse, Grohean, is largely “true.” It derives from Alter [150-51], including the punch line. The idea that a horse or mule could “smell an Indian” sounds politically incorrect to modern ears, but Humfreville, who spent twenty years among Plains Indians, claims—as I have Jim Bridger do—that a unique mixture of leaves and bark, known as kinnikinnick, which was smoked almost exclusively by Indians, produced a strong, lasting—and unique—odor [63]. The buffalo dam story was one of Bridger’s favorites and another Old West equivalent of urban legend. I greatly enhanced the telling, but the basics are related in Ware [215], Irving [514], and Burton [103]. 

   I had fun piecing together a Jim Bridger “dictionary.” I describe that effort in the Notes section for chapter 10.

   The scene in which Addy is asked by a young woman to transport a letter back to Saint Joe, for mailing to parts east, is adapted from Allen [284]. Elijah White, returning east to the States on the Oregon Trial in 1844, tells the story of a companion, “Harris,” who is approached by a blushing young woman in a westbound emigrant train and asked if he would carry a letter east. And indeed it was addressed to a young man.

   I imagined Emma and Asa Winters home and farm on the current location of the Mark Youngdahl Urban Conservation Area in Saint Joseph. 

​

​

CHAPTER SIX

 

   When I began research on Addison True about all I knew of “bleeding Kansas” were the words themselves. I imagine that’s true of most readers (except perhaps those who live in the region), which is why I have Addy and Stogie engage in expository conversation at the beginning of this chapter. For the most part their discussion is accurate. “Bleeding Kansas” earned its name largely on the basis of violent events that occurred in the two years following establishment of the territory in 1854. By 1858 the territorial legislature was solidly free soil and the bloodshed waned, though it hardly ended. CRobinson [411-12] writes that violent men in southern Kansas were reluctant to renounce old ways, and as of fall 1860 “were still on the warpath.” As Addison voices, there were old scores to settle, the continuing presence of some slavers in Kansas was an irritant, and the liberation of slaves by border-crossing jayhawkers infuriated Missourians. An example: in November 1860, nine months after the events in this chapter, James Montgomery, a John Brown wannabe, “stole” a number of negroes in Missouri and murdered 6-8 men in doing so [Etcheson 221]. While the level of violence I depict in early 1860 is generally plausible, it more likely describes events that might have taken place in southeast Kansas, rather than in Leavenworth in northeast Kansas.  

 

Section 1

   There was indeed an extended drought in the United States, centered in the Midwest, from the mid-1850s-1865. I’ve never liked “drouth.” I prefer “drought.” The former was commonly used in 19th century and I used it—right up until the final edit of the manuscript; drouth just seemed to draw to much attention to itself. “Roving disposition” is from Benemann [216]. The joke about waking Eldredge Ingraham during a church service by throwing coins on the floor is from DeCaro [118].

   Addy’s explanation of the Kansas “troubles” (for Stogie’s benefit—and the reader’s) is common history. Still, a volume of essays edited by Wunder & Ross was particularly helpful in establishing the big picture that I morphed into Addison’s exposition. Etcheson [190] also provided valuable background.

   Russell, Majors, and Waddell is an historical company. It was a freighting operation and won a huge government contract that essentially granted them a monopoly on Plains commercial transportation for a few years. The contract award, in spring ’55, would indeed have ended fictitious Eldredge Ingraham’s freighting ambitions. [I discuss the firm’s involvement in the Pony Express in the notes for chapter 7.]

   Several Sioux leading men were imprisoned following Gratten / Blue Water Creek but were pardoned and released from Fort Leavenworth after serving less than a year [Paul 155-56].

   The idea for the Burns Flush character originated with a paragraph in Decaro [230]. He mentions a Kansas transplant, James Doyle from Tennessee, who was a thug and collaborator with Missouri border ruffians. Burns Flush persona sprouted from that genesis. I did not further research Doyle. 

 

Section 2

   I wrote “massive warehouses and stables for Russell, Majors and Waddell’s operation” were sprawled along the edge of the city. The best—albeit florid—firsthand description of the firm’s presence and footprint in Leavenworth belongs to Horace (Go west young man) Greeley: “Such acres of wagons! Such pyramids of extra axletrees! Such herds of oxen! Such regiments of drivers and other employees! (Last year they employed six thousand teamsters and worked 45,000 oxen.)” [Monaghan 112] Tomlinson also provided a firsthand account of the city [26].

 

Section 3

    I made the Mose character a barber simply because I knew from my San Francisco gold rush research that it was a fairly common profession for free blacks. And I early formulated the idea of having a free black kidnapped during this chapter—given the history of the Kansas-Missouri border war at the time. I certainly felt confirmed in my incipient plotting when I read in Etchison [204] about a free black barber at the Planters hotel that was kidnapped and taken to Missouri. More on that in section 6 notes.  

   The inclusion of a fictional Delaware Indian scout in this chapter was inspired by Tomlinson [35-38]. He travelled to Kansas in 1858, was an eyewitness to events at the time, and published a book about it the following year. Early in his sojourn he walked from Leavenworth to Lawrence. The journey took him directly through the Delaware reservation and he detailed his encounter with the tribe. The fictional name Green Stone At Temple derives from an historical Indian name, Red Feather at Temple [Bonner 551]. Ruby Jack (sphalerite) is indeed found in Jasper County, Missouri, so Green Stone At Temple could easily have traded for his namesake gem.

   “Make a fine pot for supper” comes from Harris [42].

 

Section 4

   While researching chapter 2 I came across a story in McGrath [151] about a famous gambler and presumed prostitute named Eleanor Dumont, who caused a “sensation” as she wandered from mining camp to mining camp in Nevada, Idaho, the Dakotas, and Montana in the 1850s and 60s. Beautiful, stylishly dressed, charming, and sleight of hand, she always drew a crowd of card-playing miners to her table. She was known for staking busted sourdoughs and soothing hotheads, though one detects symptoms of heart-of-gold-whore fever in depictions of her. On one occasion, McGrath reports, she stepped between pistol-wielding drunks and “laughingly reproached” them, cooling tempers and likely quelling a bloody shoot-out. That anecdote resonated—Eleanor’s strong personality and character pops off the page of McGrth’s book—and I kept it in mind until the Nellie character came along. It seemed appropriate to “assign” the Dumont story to her.

   The various confrontations inside saloons and on the streets of Leavenworth in this chapter were inspired in part by the personal experiences of dragoon Percival Lowe [180-82] who visited the Kansas frontier town in 1855. The portrayal of Leavenworth as full of a variety of ethnic groups, outlaws, toughs, and ne’r-do-wells is accurate. Recall it was a terminus (along with Independence) of the Santa Fe Trail, so drovers of every “color, tribe, and nativity” ended up there [Monaghan 48]. Likewise my comparison of the town to rough-and-tumble gold rush San Francisco is something Monaghan did as well [86].

   Runaways in my story dashing across a prone log to hide their footprints from trackers was actually inspired by a trick Civil War scout Estabrooks used to throw off trackers and bloodhounds: he maneuvered across the top of a zig-zag fence [87].

  Whitman Birthwright is not patterned after a particular historical figure, but the idea for him was certainly spawned during my research. Etcheson [35-41] wrote about New England free-state pioneer transplants to Kansas. So did Tomlinson [13]: “Many of these emigrants were persons of wealth and standing, who, for the sake of principle, had left comfortable homes in the East.” The reader will recognize the basis of Birthwright in that quote. His sons pretending not to know their father—trained to act like he was a stranger in order to protect his identity—derives from Monaghan [72]. The real-life individual who taught his children that trick was Samuel Walker, who played a fairly prominent role in subsequent Kansas history. (I will shortly reference another anecdote I adopted involving Walker.) 

 

Section 5

   Tomlinson [289] wrote about single young ladies transgressing societal norms of the day by homesteading in Kansas in accord with newly enacted preemption laws (explained in the text). Apparently the idea of a virginal, or otherwise, single woman staking claim to virgin land raised gender-bias hackles and caused clucking in newspapers at the time. Given the relative dearth of female characters in Addison True I glommed onto the idea of female “preemptors” and decided to portray one in this chapter. Tomlinson specifically highlights one real-life pioneering woman preemptor, Mary Partrige, and Nellie Partrige is essentially named in her honor.

   It will hardly come as a shock to readers that Ezra Sturdevant is patterned somewhat after abolitionist John Brown. Although I didn’t utilize specifics from the Decaro and Reynolds biographies of Brown, both were valuable in establishing Sturdevant’s character. The latter was additionally helpful in painting a vivid portrait of the volatile environment in Kansas between 1855-58, an environment I partially transposed to 1860 Leavenworth. Etcheson [216] helped me understand that, when it came to Brown and slavery, he didn’t see violence as a last resort, he came to see it as the undeniable solution. That sentiment became a critical component of this chapter: Addy misreading Sturdevant, believing he could control him on the raid into Missouri, and not understanding the mission had to end in violence so long as Sturdevant was along. 

   I wanted to give Ezra some moral rectitude and gravitas. His short speech against slavery paraphrases Thomas Jefferson’s denunciation of the peculiar institution in the original draft of the Declaration of Independence, plus other of his writings on the subject. Sturdevant mounting a dry goods box and speaking “spontaneously” is something Brown was wont to do [Monaghan 44].

   The treatment of Blue for the gunshot wound comes from Hobbs [318]: “By a further application of dry powdered punk the bleeding was stopped.”

 

Section 6

   The kidnapping of Mose was inspired by a real-life incident in Leavenworth in January 1859. A barber was snatched and taken to an island in the Missouri River, though he quickly escaped [Etcheson 204]. Monaghan tells the same story but his version is longer, including a retaliatory aftermath that saw Missourians kidnapping Kansans and vice versa [110-111], and it guided my further plotting in this chapter. 

   Back to Samuel Walker. While I was outlining this section and fashioning its arc, I read in Monagan [72] about the daughter of a free-soil settler in Kansas that slipped off a wagon and broke her leg in two places. A nearby proslavery Baptist preacher refused to let the girl be carried into his home. The settler’s hatred for slavery thereafter became “fanatical.” The modern-day word, when applied to terrorists, would be “radicalized.” The father of the girl was Samuel Walker, and indeed he was radicalized. I transformed his daughter’s broken leg into Nellie’s baby and made the infant’s death the cause of Nellie’s “radicalization.” As I developed the characters for this chapter I knew I wanted a virulently proslavery type (who became Numeris Tuber) and an equally ardent abolitionist, who became Ezra Sturdevant, plus someone (that starts) in the middle: a moderate free-soiler who becomes radicalized through violent victimhood. Whitman Birthwright filled the latter role. 

    “And he that stealeth a man, and selleth him, or if he be found in his hand, he shall surely be put to death.” Exodus 21:16. DeCaro [30] uses that quote as a chapter heading. As soon as I saw it, I knew Ezra would speak those words after killing the father and sons who assumed “ownership” of kidnapped Mose. 

 

Section 7

   Numeris Tuber is a composite. The name (but not the character) derives from Numeris Humber, one of the last slave owners in the vicinity of Leavenworth in 1860 [Cheatham 168,171]. The Tuber character is patterned after Charles Hamilton, mentioned by Tomlinson [63-64] and Monaghan [102]. They describe him as a handsome and wealthy Georgian transplant. He also brought along his brothers to the new territory. Hamilton’s father was a heavy contributor to an aid society that promoted—and funded—relocation to Kansas by southerners dedicated to the idea of making it a slave state. Monaghan writes that the Hamilton family was violence prone—Charles was shot three times in a feud while in Georgia—and manifested a deep hatred of abolitionists. Indeed, Charles Hamiliton was essentially the architect of the Marais des Cygnes massacre of free-soilers in 1858, a notorious incident in the history of bleeding Kansas. Tomlinson says Hamilton gathered around him “a number of the most blood-thirsty desperados” and “converted his log-house into a fort…”

 

Section 8

   The story about skunks infesting the underside of a house, chasing each other and running into a support pillar, is from my self-published book Nebraska Stories [221]. The incident happened to, and was related by, Thelma Reichs. 

 

CHAPTER SEVEN

   

   Recall I mentioned Russell, Majors, and Waddell won what amounted to a monopolistic freighting contract on the Plains. They leveraged their competitive advantage to expand into stagecoach operations and the Pony Express. I attempted to evolve Eldredge Ingraham’s fictitious commercial operations in Saint Joseph and on the Plains so that he would indeed be a logical “silent” investment partner in the Pony Express. Given the fact that the eastern terminus of the route was in fact St. Joseph, reality and fiction dovetailed nicely. I fudged timing in terms of when news of the Pony Express first became public. According to the Settles [35], a key communication occurred on January 27, 1860 when William Russell sent his son a telegraph essentially announcing the Pony Express had been established with service commencing in early April. Addison and Stogie’s discussion about Eldredge’s involvement in the service (at the start of chapter 6) takes place in mid-January—which would have been at least two weeks prior to general public awareness of the nascent venture. 

   I selected O’Fallon’s Bluff station (an historical reality) as Addy and Stogie’s home base for two reasons. First, I simply wanted them to be in the center of things, which, for my story, means the middle of nowhere. Indeed, O’Fallon’s Bluff station also went by the name Halfway House, since it was roughly halfway between Fort Kearney and Fort Laramie. Secondly, as mentioned in the text, the confluence of the north and south forks of the Platte, and the fairly narrow peninsula of land between them (the eastward flowing north and south forks roughly parallel each other for a few dozen miles before angling towards and joining one another) was considered the very heart of buffalo country. Secondly, I wanted Addison and Stogie’s station to be near Julesburg—the heart of iniquity on the Plains at the time. 

 

Section 1

   The description of flora near the forks of the Platte is from Carleton [211]. My conception of how O’Fallon’s Bluff station may have been constructed derives less from accounts in the Pony Express books than Finn Burnett’s characterization of a dwelling he built on an Indian Agency in 1871 [David 258]. I thought sod was the most authentic representation because flaming Indian arrows couldn’t ignite it, plus O’Fallon’s Bluff was at the western extent of timberland. I could not find—but neither did I particularly search hard for—an account of how O’Fallon’s Bluff station actually looked in 1860. The design and layout I describe simply suits my narrative requirements. 

   My depiction of the station’s interior was greatly facilitated by Burton’s portrait of a station [82-83]. Indeed, Captain Sir Richard Francis Burton’s book is one of the most intriguing volumes I came across in my research. The explorer, prolific writer and translator, diplomat and spy, took a break from his romantic travels to Africa and Asia to spend a season in America, crossing the Plains in a stagecoach. His droll but erudite account is like no emigrant diary ever. His boastful references to Near and Far East exotica are laughably obscure to the modern American reader, but his eye for detail is extraordinary. I also relied on descriptive elements from Ware [47]. 

   I came across the term “on the prairie” several times, including Ruxton [190] and Sage [113].

   Some of the blacksmith’s operational instructions to Addy and Stogie, when the latter first arrive at O’Fallon’s Bluff, derives from Settle [45,115-16].

   Traders—legitimate and otherwise—made regular appearances in my research, and thus one came to be portrayed in Addison True. The techniques my nefarious trader admits to using to cheat Indians are drawn from Nadeau [34-37], especially Sage [119-121], and to a lesser extent Burton [101].

   “Gaping holes where the pointy ends of his boots original been…like their toes gonna do some prospecting” derives from Delano [153].

   Sitting beyond the reach of a campfire’s glow at night so that hostiles lurking in the distant dark can’t take aim at your illuminated form was a Kit Carson practice [Hafen & Hafen 321]. Kit’s only exception to his own rule was to spark his pipe.

   “…Stand a mighty poor chance for heaven” is a phrase derived from Carleton [203].

   My numerous references to “the Pony” as a shorthand for the Pony Express is the kind of abbreviation I might typically invent for use by the narrator, but “the Pony” was actually a common reference at the time the service was in operation. I was only too glad to adopt it.  

 

Section 2  

   Jules Reni is a real-life historical figure and my portrayal of him mirrors contemporary accounts, though what is known of him is sketchy. For instance, he is sometimes referred to as Beni, rather than Reni. A French-Canadian trapper-turned-trader (as in the narrative, he traded with both emigrants and Indians), he settled at the South Fork crossing before the stage route was established, and once it was, he was hired as a station keeper. Bloss [86] describes him as a man of “innately vile character,” a liar, and cheater. 

   Originally known as Jules ranch, his cluster of unpainted shacks came to be called Julesburg [Settles 126]. I created the specific look of the “town” to suit my purposes. Settles called Julesburg the most notorious station on the whole Pony Express route and a headquarters for horse thieves and highwaymen. (And thus a gold mine for a dramatic-possibilities-seeking novelist.) 

   I read a description of a bad guy early-on in my research [McGrath 172] in which the author quoted an unnamed journalist: “He has a bad eye, a villainous mouth, a frightful nose, ponderous jaws, big ears, and a general expression of double distilled cussedness.” I saved the description, waiting for the proper heavy to arise in the narrative, and Jules Reni conveniently did so. I repurposed the aforementioned quote (including diluting the purple tint in the prose). Ironically, in the few photographs I could find of the real-life Jules R/Beni he looked like a reasonably nice guy, whereas Jack Slade’s “double distilled cussedness” leaps off the tintype. I doctored the location of O’Fallon’s Bluff station relative to Julesberg. I never say, but imply, they are adjacent stations, and therefore approximately 15 miles apart. In reality they were/are over 45 miles distant—further than a day’s ride. 

Section 3

   My first encounter with Jack Slade (he is indeed a historical personage) was in the first Pony Express history I read—and then every such book thereafter. As with Jim Beckwourth and a handful of others I stumbled upon in my research, Slade is a novelist’s dream. In fact he’s so ideal a character I decided to keep his true name; the cover of a fictional name, as a license to elaborate, was hardly necessary. (Hollywood actually made a movie about him in 1953, complete with a femme fatale. According to Wikipedia the tag line of the movie was “Everyone knew the terror of his blazing iron…only she knew the fire in his heart.” [Let no critic say Addison True is written with exaggerated sentiment]). Mark Twain also encountered Slade on a cross-country jaunt and attributed 26 killings to him—a gross exaggeration—that helped turn him into an historical figure. He was apparently a Jekyll and Hyde, but rather than a potion causing transfiguration, a potable accomplished the trick—usually raw grain whiskey. Jack Slade was a mean drunk. 

   As related in the text, Slade was indeed superintendent of the Pony Express division that ran from Fort Kearny to Horseshoe Station, northwest of Fort Laramie, where he resided [Bloss 86; Settle 40]. And yes, he had a vicious blood feud with Jules Reni [Bloss 86-87; Settle 127-28]. The “true” history of the feud is the only data point one needs in order to fathom Slade’s “Hyde” side—his volcanic temper and penchant for raw violence. As the legend goes, in 1861 Slade’s men captured Reni. Jules was subsequently tied to a corral. Slade shot off his fingers, cut off his ears (and wore them on his watch chain), then shot him dead. I did have to shift events in time a bit for my purposes. I have Reni shoot Slade during the course of this chapter (roughly summer 1860), but in fact that expenditure of lead took place in 1859. The real Jack Slade made such a drunk nuisance of himself in Montana during the gold rush there that the residents of Virginia City apparently strung him up on general principles. 

   “Common affair” is from Loughborough [141]. And I simply had to adapt the key word from Burton’s description of stage travellers at a station on the Plains: “Upon the bedded floor of the foul ‘doggery’ lay, in a seemingly promiscuous heap, men, women, children, lambs, and puppies, all fast in the arms of Morpheus…” [37] 

   The idea for having Spotted Elk’s band playfully chase the stagecoach—while acting as if it is a deadly pursuit—is an idea that grew out of some sort of similar prank I read about weeks or months before I began plotting this chapter. After the fact I could not fully recall or locate the reference.

 

Section 4  

   There are many published descriptions of a Pony Express mochila; mine is adopted from Settle [48] and Bloss [34]. Likewise there is repeated mention of initial use of a horn by Pony riders to announce their imminent arrival at a station [Bloss 36; Settle 50]—a practice that was quickly abandoned. The dictum that lightly armed Pony riders should “run rather than fight” is from Bloss [36]. 

   The idea for the hunting party in this chapter was sparked by a single innocuous sentence. Monaghan [100] mentions a noted Kansas free-stater who had just returned from a buffalo hunting expedition to the Plains, his “health improved.” The year was 1857. Shortly before Monaghan I read DeVoto, who described the proliferation of phony scouts in the West who invariably claimed to be former mountain men [377]. I grafted those two elements to create a faux mountain man leading greenhorn buffalo hunters, thus setting up inevitable disaster. The description of the charlatan guide’s get-up derives from Drury & Clavin [110,181], as well as (again) Newmark [157-159], Alter [299] and AEvans [137-38], while “circus rider” comes from Bloss [46]. 

   

Section 5  

   I love integrating small historical and cultural details, they help enrich the storytelling: a fly brush made from a buffalo tail is from Grinnell [228]. He explains how the skin of a buffalo tail was fitted over a stick and the wispy-hair protrusion at the end used as a fly swatter.

   The bulk of this section is based on a one-paragraph entry in the journal of Ohio 49er John Banks [Scamehorn 45-46]. The real-life plot, which occurred during a wagon train crossing of the Plains, was even more nefarious than my version. There was a fifth person involved and the shooters intended on blaming Indians for the cuckolded husband’s wounds. Two of the three perpetrators were caught and sentenced to return to the States. The wounded husband—who was truly a victim in the real-life version, he was not a wife-and-daughter beater (I contrived that for the sake of moral ambiguity)—recovered and continued west. 

 

Section 6

   Addy’s prepping of Blue for future buffalo hunting was inspired by Drury & Clavin’s description of the Sioux manner of doing so, starting with young colts [68].  

   In my survey of 19th century western literature I was constantly on the lookout for recurring themes I might incorporate in Addison True. A simple example is grizzly bears in chapter 1: they are mentioned repeatedly in miners’ diaries. A more dismal recurring theme was the impact of alcohol on Indians along the frontier. The reader may well imagine I originally planned on steering clear of this culturally sensitive topic, even though, from a thoroughly detached perspective, the passion and violence alcohol evoked, and provoked, presented strong narrative possibilities. This chapter is all about moral ambiguity, and in the end I decided alcohol and drunkenness were irresistible morally-complicating (or obscuring) elements. 

   The manner in which I integrated alcohol abuse into this chapter—an unscrupulous trader gets Indians drunk—derives from Nadeau 34-35. (The deadly result of my fictional Indians’ inebriation—the killing of members of a white hunting party—is my conception.) An article in the Missouri Republican in 1835 said traders specifically targeted villages after annuities had been distributed: “It is no unusual thing, just after an annuity has been paid, to find the guns, blankets, powder, horses, in short everything necessary to the comfort of the Indian, transferred to the hands of the whiskey trader; and the wretched savages rioting in bestial intoxication.” There are many similar references. Sage [121] describes Indians in early 1841 killing each other in drunken brawls. Sometimes they would kill the trader who sold them the liquor either because he wouldn’t sell them more, or as revenge after the tribe or band sobered up—holding the trader responsible for alcohol-induced internecine homicides. Grinnell [288-89] describes the dark work and drastic impact of whiskey traders on the Blackfeet in particular. In any case, based on the preceding, the reader can see how both the Coon Campbell character was born and my plotting unfolded.

   Finn Burnett lived through the Fetterman Massacre near Fort Phil Kearney on the Bozeman trail in December 1866. Nearly a year later he was back at the fort. Treaty talks with the Sioux were underway but emotions were still raw and relations extremely volatile. As a show of good faith, an Army general ordered a wagon full of provisions delivered to Indians camped nearby. When driver Finn and his assistant neared the hostile encampment they saw literally a hundred fires with Sioux, Cheyenne, and Arapaho war-dancing around them, wildly gesticulating and faux-stabbing imaginary opponents. The whites’ horses became terrified. Despite Finn’s best efforts, the animals turned fully around and high-tailed it back to the fort, provisions spilling out the back of their wagon the entire way [David 210]. I found the mental image comical—despite the circumstances being potentially deadly—and I incorporated it into the fleeing whiskey trader’s demise in this section.

 

Section 7 

   I try to scrub my narratives clean of clichés, but over the course of a thousand pages I hope the reader might grant me a handful. In this section I adapted an old saying but only because I don’t believe it is ubiquitously known: “there are old pilots and there are bold pilots, but there are no old, bold pilots” became “there were old sleepers on the Plains back then and there were sound sleepers on the Plains back then, but weren’t no old, sound sleepers.”

   Bratt [144] tells of returning to nascent Laramie City in 1867 from a day of inspecting timber—destined to be fashioned into ties for the transcontinental railroad then under construction—and in the evening working by the light of a rag dipped in grease in his makeshift office in a general store. I transformed cooking grease rags into buffalo-grease rags for light at O’Fallon’s Bluff station (and to light the prairie fire). 

   The narrative in this section—where a squaw is abused by an “outlaw,” finds her way to Addy’s Pony Express station, is nursed back to health, slips away to her tribe, and the tribe then exacts retribution from her persecutor—derives from a true story related in Bratt [117-18]. The incident took place in summer 1867. The author was in search of stolen cattle and ended up at a place called Bellamy’s ranch, fourteen miles west of Fort Laramie. Bratt described a young man working there as an outlaw from the East. The villain had bought a squaw that day and gotten drunk celebrating his purchase. He beat her in the night. The badly bruised girl—an eye was swollen shut—escaped the next day. The outlaw was too drunk to give chase. Bratt wandered well away from the house that following day in an effort to round up the stolen cattle. When he returned, the ranch was in ashes. Warriors from the abused squaw’s tribe apparently abducted the outlaw and killed him—he was never seen again—and Bellamy and his family barely escaped with their lives (the tribe blamed Bellamy for failing to protect the squaw). I not only adapted the anecdote in terms of a “New Orleans Kid,” I also made Jules Reni a stand-in for Bellamy.

   I was alerted to Indian names for months of the year beginning with “Moon of…” by Neihardt [57]. Indeed, Moon the Black/Red Cherries was the Oglala name for July. 

 

Section 8

   I first heard of the practice of tailing a bull while interviewing a cowboy in Texas for a self-published book titled Texas Stories. In adulthood Button Criswell hired out on ranches in and around the Texas panhandle, but he grew up on one in northeastern New Mexico where he worked closely with Mexican cowboys. Button was one of the top two or three storytellers I met among 150 people I interviewed in Nebraska and Texas. He mentioned he could tail a bull, something the Mexican cowboys taught him. I’d never heard of it, but it’s often an event in Mexican rodeos. I had Sheriff Thompson mention Addison’s bull tailing acumen in chapter 4 in order to set up an example of it in this chapter. I have no idea if buffalotailing has ever been attempted, historically, or if it’s even possible.

   Buffalo herds travelling in a flatiron shape or configuration comes from Bratt [81].

 

Section 9

   The plot element wherein a solo Indian traveler appears to randomly stop at the Pony Express station, but in fact is an assassin, is the result of a fictionalized mash up of five unrelated anecdotes from my research:

   1. Irving [55] tells the story of a lone Kansas warrior that passes through their camp returning from “some solitary mission of bravado or revenge” bearing a Pawnee scalp as a trophy. That’s all Irving relates of the brave, but of course that dearth of data tends to fire the reader’s imagination. Did he avenge a brother killed in battle? Or his wife’s honor? 

   2. In my story I have the faux Cheyenne traveler tell a tale to disguise the real motive for his presence—and affiliation with Black Wolf. That tale derives from Grinnell [Blackfoot 13-23]. A warrior accompanied berry-picking squaws—including his wife—and served as their lookout. A Snake war party jumped them and overtook most of the squaws. The lookout carried his wife on his horse for a while, but then pushed her off in order to escape (believing the war party would kidnap but not otherwise harm her, which turned out to be what happened). The story is a long and involved fable that includes a lovelorn medicine man, but eventually a “dream-helper” leads the kidnapped wife back to the Blackfoot camp and her husband. Grinnell also tells a second version of this story [Blackfoot 39-49].

   3. Beckwourth came upon a lone Sioux [502] and asked him where his village was. The reply was many miles—the warrior had been out for several weeks. But Beckwourth deduced from his lack of provisions that he was lying, in order to protect a nearby village; the brave was a scout. I riffed off this story by having Addy deduce the traveller that stops by the Pony station is a Brule scout/spy instead of a Cheyenne due to the tribal signature design of his arrow fletching. 

   4. I also recalled a story in Allen [199] about a sailor at the mouth of the Columbia River in the late 1830s that paid Indians five blankets to kill a missionary. It gave me the idea to have Black Wolf’s first attempt at murdering Addison be cunning deception rather than overt violence. 

   5. Irving [173] mentions that among Blackfoot braves he encountered were several Nez Perces who had been captured while young and raised as Blackfeet. Their loyalty was entirely with their new tribe so they shared with them intelligence about Nez Perce haunts and practices they remembered from early youth. This gave me the idea for having Black Wolf send Broken Arrow—born a Cheyenne but raised a Brule—on his surreptitious mission.

   “Manifestations of hostility” is from Carleton [230].

   The idea for Red Sleeve having a lover that is one of Black Wolf’s wives evolved from two different mentions of similar occurrences in Irving plus a third story in Black Elk Speaks and one in David [227-28]. Irving [187] wrote of love elopements from tribe to tribe frequently giving rise to blood feuds. Later Irving wrote of a specific instance [582] in which a trapper falls for a second, younger wife of a Shoshone brave. She is beautiful but subject to the caprice of an older first wife and longs to escape with the trapper. The story in Neihardt [70] is of a young brave smitten with a maiden but her father will not agree to marriage. The young brave keeps upping the dowry without success before resorting to kidnapping her. The David story involves whites. The 16-year-old wife of a bigamist Mormon fell in love with the division agent of the overland stage and they planned an escape from Utah to Sacramento. The plan was not without danger. Previously another of the man’s wives tried to run off with a lover and both were tracked down and killed in the Salt Lake desert. The 16-year-old and her lover were aided in their plan by the disaffected ninth wife of the Mormon and some Union Pacific road graders. The couple made good their escape. 

   I read Hobbs in conjunction with my research for chapter 4. On a trip from Santa Fe to California with Kit Carson in the 1840s, their party was travelling at night when Hobbs stumbled over a dead body, his hand landing on, or in, a face that had been obliterated in an Indian attack [71-72]. It turned out to be a Mexican mail rider the party had fed and talked to the day before. That anecdote morphed into the fate of the young Pony Express rider Curtis Krack in this section. 

   One of the first emigrant journals I read—Perkins—mentions prairie fires and I knew immediately I would include such a conflagration somewhere in Addison True. As far as I know, no Pony Express station operator attacked by hostiles escaped by setting a prairie fire; such is my fictitious doing. 

   “Songbirds…in the saltbush” is from Drury & Clavin [85]. 

   The first time I ever saw an anecdote about someone being shot with an arrow, then pulling the “arrer” (as Jim Bridger or Kit Carson might say) out of their body and shooting it back at the enemy, was in Grinnell’s Blackfoot Lodge Tales [247]—though I imagine such a sequence has made its way onto the silver or small screen many a time. 

​

​

CHAPTER EIGHT

 

I decided early on to set chapters 8 and 9 in the Civil War and to make Addy a spy in chapter 8. I also congratulated myself on my originality: I couldn’t recall reading any Civil War spy fiction, and in my recreational non-fiction reading over a half-century, which included a few Civil War books, I didn’t recall mention of, or at least any chapters devoted to, spying. I was quickly educated. The very beginnings of my Civil War research uncovered dozens of volumes on espionage. Much of the literature focused on the eastern theatre, which dovetailed with my original concept of stretching the geography of Addison True from coast-to-coast. But three factors worked against an eastern seaboard setting for chapter 8:

  • Richmond was the epicenter of Union spying, which made it the subject of a number of post-war books. Indeed, the city struck me as too-well-trod ground in terms of the historical record. I felt more comfortable with the idea of a fresh canvas.

  • Addy is basically a westerner. I concluded the organic option was to abandon my transcontinental aspirations and keep A.T. west of the Appalachians. 

  • I had early envisioned chapter 9 as an Addison-Samuel trek north, so trying to bodily transport Addy from the Richmond area to northern Mississippi at the end of chapter 8 would have required a blatant narrative contrivance I wasn’t prepared to stoop to. 

 

Section 1

Forcing a chained slave to run behind a wagon is not, unfortunately, a unique idea; indeed it strikes me as an almost iconic image of slavery. But the first time I read such an account was in Bordewich [66]. Levi Coffin, a future figure in the Underground Railroad, came upon a runaway slave tailing (several miles back) an emigrant party in North Carolina. The slave’s family had been sold separately from him and he was following the train they were attached to, hoping to perhaps settle near his family—wherever it was the emigrants were bound. But he was caught, arrested, and held for his master. Coffin later saw him in a blacksmith shop being fitted with a chain collar. His master arrived and said, “Now you’ll know what slavery is. Just wait till I get you back home.” The other end of the chain was fitted to the axle of the master’s buggy. He took off at a trot. The captured runaway had to run full speed to stay upright or fall and be dragged by his neck. The reader likely can see why I adapted the story to incite Addison’s hair-trigger sense of justice. 

Sprague [90] provided some useful background on Quakers and the Underground Railroad in Cincinnati. 

 

Section 2

In the first three paragraphs of this section the narrator provides a synthesized history of the beginnings of the Civil War in the western theatre. The facts mentioned are well established in terms of the historical record, and so is the strategic nature of the Tennessee and Cumberland rivers as related in paragraph 3. Nevertheless, Horn [74] was my source for the latter. The Sixth Ohio was an actual regiment. I volunteered Addy for that particular unit by working backwards from Shiloh. That is, I wanted Addison to re-connect with his regiment and Bird Morton, and on the second day of the battle Sixth Ohio did indeed advance at the time and place where I have Addy single-handedly man a cannon. The regiment formed in Cincinnati at the outbreak of war when Addison was present there.

The description of occupied Nashville derives mostly from Horn [101-104] and Sarmiento [91-93]. While the Burns Flush character was conceived while writing chapter 6, from the outset I planned to subsequently transpose him to the Civil War chapters. But that formulation pre-dated my research on confederate raiders such as John Hunt Morgan. Burns Flush’s Civil War self is not patterned on Morgan; it is rather a composite of various confederate guerrilla leaders. I did specifically adopt use of Morgan’s McMinnville hideout [Horan 13] since it worked well with the geography of my narrative. (More on Morgan in the notes for chapter 9.)

When I began to research Civil War spying I quickly discovered some of the most effective espionage agents were women. There were five leading female Civil War spies. Indeed, Varon [62] labels them the “Big Five:” Belle Boyd, Elizabeth Van Lew, Pauline Cushman, Rose O’Neal Greenhow, and Antonia Ford. I knew early on I wanted Addy to interact with a femme fatale spy. That preconception turned into the Isabelle Chevalier character. She is a composite of the Big Five. That said, I unashamedly filch Pauline Cushman’s back story (from Sarmiento) and make it Isabelle’s: born in New Orleans of mixed European heritage [20], moved to and raised in frontier Michigan [24-26], New York actress [35], and the infamous Louisville theater declaration for the South—a ruse aimed at establishing her espionage bona fides [58-62]. But the two scenes in which Addison visits Isabelle in Nashville—one time with Grant in attendance—are wholly fictitious and have no connection to Cushman, although she was in Nashville at a later date. Sarmiento [89] references Allen’s New Theatre, although I have no idea if it was still in operation after Union forces occupied the city in February 1862. Indeed, while borrowing almost all of Cushman’s backstory, I use virtually none of her “front” story; that is, her spying career was short and the telling of it overwrought and highly romanticized. Cushman was not in Vicksburg before, during, or after the siege. In terms of the composite nature of the Isabelle’s character, she has Greenhow’s “social abilities” [Fishel 59], Van Lew’s nerve when it comes to working behind enemy lines [Varon], and Belle Boyd’s charm [Boyd], although Belle exhibited a brashness I don’t attach to Isabelle. 

   Addy and Bird’s scout east of Nashville is my creation. My objective was to begin to slowly evolve Addison from foot soldier to scout to spy, and his and Bird’s initial expedition is part of that sequencing. I read several personal narratives by scouts that provided invaluable background, not only in regard to this section and chapter, but for chapter 9 as well: Benson, Downs, DEllis, and Estabrooks. Although I ended up spinning only a few anecdotes from Who Goes There?, Benson’s volume was nevertheless a critical aid because the author succeeds in putting his reader’s on the ground behind Rebel lines. His narrative taught me how to think, feel, and react the way a Union operative might. It also provided specifics about such things as how pickets were placed, the pass system [65], and how spies slipped through enemy lines and infiltrated their camps. Downs [74,201] also provides good background on the pass system.

   It became clear early in my research on Civil War espionage that a key source of intelligence for the federals were African-Americans: freed/escaped slaves, or even the servants of Confederate officers [Varon 165; Fishel 120]. Historian Herbert Aptheker wrote: “The greatest single source of military and naval intelligence, particularly on the tactical level, for the Federal government during the war was the Negro” [Markle 55]. My desire to exemplify that aspect of Civil War spy history led to creation of the “slave banquet” scene. The specific intelligence the elderly slave servant imparts to Addy, about Johnston’s movement and strategy, is from Horn [107]. Would Johnston have talked strategy freely in front of a slave-servant? Benson [70] wrote that Confederate officers had favorite slaves as camp servants “whom they thought so attached to them as to be trustworthy.” 

   I’m not quite sure how U.S. Grant became a co-star of this chapter. I enjoyed creating Kit Carson’s cameo in chapter 4, and that’s what I originally imagined here for Hiram Ulysses. The general’s repeated appearances simply aligned with the unfolding storytelling and I saw no need to limit his role. Grant’s unauthorized trip to Nashville is historical fact, yet it is still cloaked in a bit in mystery—although I imagine plenty of historians would argue that Ulysses was simply there to confer with Buell. Grant’s enemies portrayed it as a drunken detour, but there is little evidence he was there to “recreate,” as I have Addison categorize it. But this is a novel, so I chose to exploit the unknown and imply a Nashville debauch. While Grant was indeed drummed out of the service for drunkenness in the 1850s, my cursory reading of the record indicates he held his alcoholism in check for the most part during the Civil War, though his history of alcohol abuse certainly provided gossipy fodder for his rivals and enemies. 

   I dislike suggesting married Grant was unfaithful since I did not read of any such proclivity, but I wanted to introduce him in a surprising way while also layering Isabel’s character. (I finished writing this chapter shortly before Ron Chernow’s well-regarded biography of Grant was published and I did not consult it.) Besides fictional infidelity, the date of Addison’s meeting with Grant is later than it could have been. I have it take place around March 5 or 6 (I don’t specify a date) while Grant actually returned to Fort Henry from Nashville on February 28 [Cunningham 72] after an overnight trip [Daniel 58]. I had Addy and Ulysses meet on March 5 or 6 for the simple reason that Addison needed to arrive in Savannah, Tennessee on the afternoon of March 14 (so he could just miss Sherman who left there that same day, in the morning) [Cunningham 79; Horn 116; Daniel 81], and it seemed unrealistic for A.T’s horseback journey from Nashville to Savannah to take longer than a week. Although Grant was not present in Nashville on March 5 or 6, he did in fact receive the telegram from St. Louis-based Halleck, relieving him of duty, on March 4. The reading of that wire took place at Fort Henry [Daniel 53; Sword 16].  

   I had a vague notion, at the start of writing and conceiving Addison True, that Addy would meet up with one of his brothers along the way. Author Hobbs reunited with his long lost brother during the War with Mexico [126-27]. In general the dislocations of war seemed to create conditions whereby Addison and Gideon might “naturally” (rather than purely coincidentally) come together; thus their Civil War reunion.

 

Section 3  

The Shiloh section exists for three primary reasons:

  • To establish Addy’s scout-cum-spy credentials and thereby set-up his Vicksburg adventure.

  • Reveal Gideon’s reticent nature while nevertheless forging brotherly bonds.

  • Have a battle scene. It seemed to me my two chapters on the Civil War would lack fundamental credibility if Addison failed to participate in a major battle.

I will cite specific references in this section when it comes to Shiloh particulars, but Addy’s weaving journey through the first day of fighting is such a mash-up of fiction and the historical record that the twinning can’t be fully disentangled. I drew primarily from three books about the battle: Sword, Daniel, and Cunningham.

In regard to timing, I did try to hew my Shiloh chronology as close to history as possible—starting with Addison’s late March 14 arrival in Savannah. (Recall Sherman left the city and moved upriver that morning.) Hurlbut did indeed start upriver the next day [Sword 14], but waited offshore and didn’t disembark at Pittsburg Landing until the seventeenth [Daniel 102; Sword 26]. Sherman stopped briefly at Pittsburg on the fifteenth, and then returned there after a one-day foray on the sixteenth [Cunningham 82-83]. I have Addy waiting at Pittsburg Landing for his brother and Sherman on the morning of March 16, as if Hurlbut had already disembarked the day before and established camp. The whole time period covered by sections 3 and 4 (March 14-April 7) was indeed a period of wet weather, boggy ground, and flooded rivers and tributaries. The strategic nature of Pittsburg Landing is well-established history, but I first learned of it from (and reflected back to the reader) Horn’s description [116-17].

Soldier-diarist Oldroyd [11] wrote “The tin cup or coffee can is generally tied to the canteen or else to the blanket or haversack, and it rattles along the road, reminding one of the sound of the old cow coming home.” That became “…tin cups tied-on clinking agin canteens with every step. Sounded like so many bell cows plodding home at dusk.” The idea for the southern loyalist farmer Addison buys a horse and tries to garner intelligence from—who is likely informing the rebels about Union troop movement—was inspired by this line in Horan [10] describing confederate cavalryman and spy Thomas Hines: “He…had learned to cultivate Confederate sympathizers and recruit them as listening posts for his underground.” The near universal sympathy of local farmers (around Pittsburg Landing) for the southern cause is documented by Sword [117]. Union espionage chiefs routinely provided Confederate currency to their spies operating behind rebel lines [Fishel 296].

   Sherman did indeed lead a reconnaissance in the direction of Corinth on March 17 [Sword 15; Daniel 102] where he encountered Confederate cavalry before turning back [Horn 117]. There was a famous peach orchard on the Shiloh battlefield, so I arbitrarily made the orchard Gideon and Addy cross—to disguise their approach to Confederate cavalry—of the apple variety to avoid history-buff confusion. 

   Climbing a tree to spy must be as old as spies and timber, but I got the idea from Fishel [178]. The specific intelligence Addison hears while up in the tree, regarding Confederate troop strength and reorganized brigade commands, is from Horn [119]. I have never resided in rural America so I had never heard the term barn sour prior to interviewing a cowboy by the name Riley Bradstreet in panhandle Texas in 2010. I was reminded of the phrase, and phenomenon, while reading Benson [148], and decided a barn sour horse should make an appearance somewhere in Addison True.   

   Grant did indeed arrive March 17 at Savannah and assume command of the Army of Tennessee [Cunningham 84]. He made the Cherry mansion his headquarters, as did General CF Smith before him [Sword 116]. The definition of spy versus scout, as it pertains to the civil war—which I put in Addy’s mouth during his private conversation with Grant (a scout becomes a spy when he crosses over no man’s land into enemy territory)—is fairly common knowledge, but I first saw it spelled out in Fishel [331]. Union General Halleck was more specific. He issued an edict that someone crossing onto the federal side attempting to elicit information without disguise or false pretenses was not a spy. It was the use of subterfuge to gain information that made one a spy and subject to summary execution [Fishel 245]. By that definition Addison was indubitably a spy.

I make the point in the text, at least twice, that the best Union spies during the Civil War were southern citizens with northern allegiance. They knew the territory, often knew useful people that trusted them (but thought they were southern sympathizers), spoke with an authentic accent, and didn’t have to create a southern backstory. While the life-threatening problems a lack of southern roots created for most Northern spies might seem obvious, one of the first books I read on Civil War spying alerted me to the challenge [Fishel 295]—and it was indeed an issue I couldn’t ignore vis-à-vis Addy. I have him acknowledge his problematic “Yankee-ness” in a conversation with Grant, including the statement that he doesn’t “speak Dixie,” which is from Markle [8]. 

 

Section 4 

   The numbers regarding Union troop strength at Pittsburg Landing are from Daniel [106]. Reference to Addison’s tortured “infernal regions” is from Delano [115].

   The scene in which Addy meets with pickets that spot Confederate troops in the woods is adapted from Sword [136], who wrote that pickets stationed only 300 yards from their own camp had, on the eve of Shiloh, become “accustomed to seeing Confederate cavalry in the woods nearby.” The Irishman impressed into rebel service in New Orleans, who deserts while on picket duty, was born from multiple references in Fishel. The author mentions that the most fruitful informants were often deserters, especially impressed Europeans [115]. My Irishman’s backstory includes parts of the biography of an actual Emerald Isle deserter mentioned by Fishel [116]. Fishel also noted that the Confederates often used “pseudo-deserters” to convey disinformation [5], an element I brought into the story to explain why Sherman and Grant doubted the veracity of the intelligence they were receiving.

   Addison just missing Grant aboard the Tigress at Pittsburg Landing jives with the historical record. According to Sword [133], the Tigress departed for Savannah at 11 p.m. on April 5 and Grant was up with his officers “to a very late hour.” The telegram from Sherman that Grant reads to Addy is historically accurate [Sword 128-29]. There is no question Shiloh is one of Grant’s early low points (along with being relieved of his command after his jaunt to Nashville). As with Sherman, history clearly shows he ignored warnings of Confederate troops moving into position to attack.

   The reference to General “Bopp” reporting the capture of 10,000 prisoners when in reality only two hundred injured rebels were seized is essentially true [Horn 152]. The true-life incident occurred two months after Shiloh, so I felt compelled to change the general’s name and the location of the “battle.” General Pope is the culprit who grossly inflated the estimate of captured prisoners and the incident took place at Booneville, Mississippi, but otherwise the story is factual as related, including a false report sent to Halleck who relayed it to Lincoln. 

Addison surmising, while alone, that Grant was waiting on Buell to arrive before attacking (on Halleck’s orders), and then Grant, aboard the Tigress, bellowing the same line of reasoning at Addy, in defense of his inaction, derives from Daniel [105].

My description of the earliest fighting, near Spain field, in which I involve Addison and Gideon, is drawn from Daniel [147; 150-56] and Sword [151-57]. I wanted to communicate how raw most of the troops were at Shiloh—literally off the boat and into battle in some cases. The snippet about Wisconsin recruits having never fired their weapons except for shooting at stumps along the Mississippi River on their voyage south is from Daniel [153], though it was birds and logs they targeted. The spectral detail about panicked rabbits racing at Union lines ahead of advancing confederate troops is also adapted from Daniel [150]. There is not a consensus among historians on the spelling of Rea/Rhea field. 

I was shocked at the extent of cowardice reported at Shiloh. It was noted frequently in the histories I read and was evident on both sides. I would have imagined a few score of cases but it was several thousand. Sword describes masses huddled under the bank of the Tennessee River by Pittsburg Landing [340]. I wanted to contrast Gideon’s personality with Addy’s and thus made him a “coward,” but I also wanted to make a statement about the nature of bravery and cowardice. Gideon’s dash across a battlefield to provide water to a badly injured soldier was inspired by a similar story in Loughborough [102]. 

I sought to capture the chaos of the Crossroads mid-morning on the first day of battle as portrayed in Daniel [182-85] and Cunningham [219-246]. Obviously action on the battlefield shifted constantly over two days and a broad area, but for an hour or so that morning the Crossroads was the hellish geo-center of the battle of Shiloh and I wanted Addison in the middle of it. There was also heavy action midday April 6 along Sunken Road, which came to be known as the Hornet’s Nest (for the sound of innumerable and uninterrupted whizzing bullets). Again, I wanted Addy there. Accounts in Daniel [202-09] and Cunningham [240-263] were most helpful in setting the stage at that location.

The timing of Addison’s movement around 2:00 p.m. along Sunken Road to the edge of Sarah Bell Field roughly matches the timing of the Confederate assault there following two hours of stalemate [Cunningham 271]. One inaccuracy: I don’t believe there was a federal encampment, prior to the start of the battle, on the northwest corner of Sarah Bell field. For narrative purposes I created one on that spot.  

   Two specific details in the scene by Sarah Bell field—at the end of Addy’s first day of fighting and the start of his second—derive from Loughborough, and both are transposed from Vicksburg to Shiloh. Her “…I can see the turf turned up, from the shells that have gone ploughing into the earth” [116] became my “Couldn’t believe the ground all about. Looked like a farm field ploughed irregular, the way shells by the score had turned the turf.” And my aside about the battlefield littered with minie balls: “And hundreds of still-round balls, everywhere, like an enormous necklace—made of ammunition instead of pearls—had been torn asunder…” is my metaphor but Loughborough’s description [138]. 

   Whereas my recounting of the first day of Shiloh is fairly accurate, I truncated the second day in a way sure to annoy Civil War aficionados. (I simply had to cap the word count in this section.) Confederate forces did advance past Sarah Bell field to within a quarter-mile of Pittsburg Landing by the end of the first day of battle, but then many dropped back at dusk and some even camped on Sarah Bell field the night of April 6, whereas I have Addison alone on the field overnight. The Sixth Ohio did indeed come down Hamburg-Savannah Road, where the Sunken Road intersects, on the morning of April 7, but it was more like 10 a.m. and they stalled there for upwards of two hours. The rebels did counterattack [Daniel 269, 273]. Colonel Jacob Ammen commanded the Tenth Brigade, of which Sixth Ohio was a regiment. I was able to track the movement of the Sixth Ohio the morning of April 7 by tracing the movements of Ammen in Cunningham [345-51].

   Addy manning the Napoleon and single-handedly repulsing a confederate charge was inspired by three separate reports. Captain William R. Terrill manned a cannon at the time and location of my narrative [Cunningham 350-51]. Sword [393-94] says his “gallantry turned the tide.” Separately, an unknown artilleryman on the morning of Day 1 of the battle also remained at his post despite heavy losses in close proximity and single-handedly (a typical crew is five) fired double canister three times. A reporter later counted 30 dead men and 32 dead horses within an area of 50 square yards around the anonymous artilleryman’s battery [Daniel 169]. And Oldroyd [23] described a rebel charge out of the woods at the siege of Vicksburg where the graycoats had to scale a pasture fence. A Union gun opened on them with grape and canister that “completely annihilated men and fence, and forced the enemy to fall back.”

   I worry that Bird Morton’s graphic death may be viewed as gratuitous violence. It is precisely the opposite. It was a measured attempt to symbolize the overall savagery of war, the heavy casualty toll at Shiloh, and specifically, the horror of sudden adjacent death. For example, as fighting wound down late afternoon April 6, Grant was standing on the bluff at Pittsburg Landing conferring with Buell and another General when a six-pound cannon ball suddenly decapitated one of Grant’s aides and splattered the general with his brains [Daniel 248]. War isn’t pretty and I didn’t want this scene to be.

 

Section 5

Although Vicksburg in 1863 was fortified for several miles north and south of town, and clearly there would have been Confederate pickets as well—if not small clusters of forces—for many miles up and down the east side of the river, it is plausible Addison and a foraging team could have snuck across the Mississippi because Woolworth in fact did it [7-8]. Foraging was indeed a concerted strategy for feeding Union troops [Shea & Winschel 45]. 

There are conflicting reports as to where General Grant established his headquarters in Arkansas, west of Vicksburg, January-March 1863. Woolworth [5] reports it as being on the steamer Magnolia. I went with that. 

Integrating fiction and history has its challenges. Chronology, geography, the movement of people, and other factors, must be carefully sorted, arranged, and orchestrated by the storyteller, whereas history is typically a jumbled mess. Then again, sometimes you get lucky. After some initial fumbling with the outline of chapter 10, I decided to have Addy return to the Plains after the war and aid in construction of the transcontinental railroad, in part because that endeavor symbolized the “closing” of the west and therefore dovetailed with the close of my narrative. I knew Grenville Dodge was in charge of construction, so Addison would likely encounter him in the final chapter. What I didn’t know was that Dodge was Grant’s intelligence chief at Vicksburg [JPerkins 105]. It was beyond perfect. (Thank you, history.) Dodge would be Addy’s “boss” in this chapter even as their wartime collaboration set up their chapter 10 association. Dodge did indeed live in Council Bluffs and own a freighting company there in the late 1850s [JPerkins 45], so it is credible he would have known fictitious Eldredge, a (former) freighter and high profile merchant residing in the next major town south on the Missouri river. 

The strategic situation around Vicksburg in which I insert Addison is generally accurate. Grant originally considered capturing the city in a cross-river assault from the west (the Arkansas side). Most agree Sherman’s probe and failure at Chickasaw Bluffs provided prima facie evidence that a large-scale attack from the west would have ended in disaster. Indeed, Shea & Winschel [62] say Grant decided early on to move his army across the river and attack from the east, but such movement was impossible before spring. Yet the Yazoo River and Steele’s Bayou forays did in fact take place, creating fictitious latitude for me to suggest that if those operations had been successful, Grant might have seriously considered a cross-river assault. Virtually all factual information that made its way into Addison True having to do with the Yazoo River and Steele’s Bayou expeditions derives from Shea & Winschel [71-75].

In the first Grant/Dodge/Addy conversation, I have Ulysses indicate conditions there in low-lying Arkansas are so bad he simply can’t keep his forces camped there for long. Soldiers cutting down logs for “beds” in order to sleep above the mud, and 50 men dying a day, are facts derived from Woolworth [3], although he actually reported 60-70 deaths per day (a case of reality seeming too exaggerated; I reduced the number for the sake of “credibility”). Shea & Winschel also detail the grim conditions [60]. 

Although I won’t be additionally specifically citing Solomon Woolworth’s slim volume [15 pages], his account of operating as a Union spy around Vicksburg was invaluable to me in terms of scene-setting and plotting Addison’s movements. I have Grant say he sent four “scouts” across the river into Vicksburg and none returned. Downs [214] puts the number at six.

Also in the first meeting with Grant I have Addy suggest he (Addison) deliver to Confederate General Pemberton what will appear to Pemberton to be useful intelligence when in fact it is recently outdated information—in order to establish Addy’s bona fides. This is a familiar stratagem in modern espionage, but was also an actual trick favored by Grenville Dodge during the war [Markle 127].

Dodge was very discrete. He refused to reveal information or relate anecdotes about his spies to post-war authors—right up to his passing in 1916—for fear any such revelations might imperil his ex-operatives still living in the south 50 years later, or their descendants [JPerkins 105]. Thus his real-life secret service exploits were never chronicled. A loss to history, but an omission that perhaps worked to my selfish advantage in that Dodge’s prudence created an historical vacuum that gave me narrative free rein in Vicksburg. I filled it by modeling Addison’s exploits after those of real-life spy Philip Henson. His “appearance” in my research was serendipitous. Henson was Dodge’s best spy. He had the kind of southern born-and-bred background I previously mentioned proved highly effective for northern spies. He hailed from Mississippi but was loyal to the Union. Not only did he “blend,” he was from near Vicksburg and knew the terrain. Moreover, given that his brother was a Confederate general, his own loyalty was basically unquestioned. Plus he had friends and other relatives in the rebel army who either inadvertently opened doors, or advertently vouched for him [Johns 31]. 

I had imagined Addy being a Civil War spy literally for decades before starting to research this chapter, but it was only a matter of days after plotting his infiltration of Vicksburg that I read in Kane [199] that Dodge, needing a spy to report on the city’s nearly impregnable defenses and the condition of troops, arms, and supplies inside the fortifications, sent in Phil Henson. I nearly fell out of my chair; Addison’s fictitious persona in Vicksburg had a real-life counterpart. I immediately began adapting parts of Henson’s exploits and making them Addy’s. For instance, Henson had a neighbor by the name of Jesse Johnsey, who became Boyd Tattersley. Johnsey had five sons in the Confederate army serving at Vicksburg. Johnsey was not blind—I added that part—but Henson did suggest to Johnsey they visit his boys, so that Henson could tag along and infiltrate the city [Johns 42-45]. 

Addison and Henson’s espionage chronologies do differ. I place Addy in and around Vicksburg in March 1863—prior to Grant moving across the Mississippi River and besieging the city from the east—because of the needs of my particular story construct (including Addison escaping on an intact Southern Railroad to confederate-held Jackson). Henson did his Vicksburg spying during the siege itself, in late spring and early summer 1863 [JPerkins 112; Markel 10-11], after Jackson and the railroad had both been captured. In addition to specific references in JPerkins and Markel, all of the 98-page Johns biography, plus Kane [193-212], were invaluable in my quest to cloak Addy in a bit of Henson mystique.

There were smugglers galore in the South during the Civil War. As I allude to in the text, the South had shortages of manufactured goods and other items, such as medical supplies. Smuggling filled the gap and also provided natural cover for Union spies [Markle 21-22; Fishel 291-92]. Confederate officers no doubt held their noses in the presence of such scabrous Yankee peddlers (a condescending attitude I attempt to ascribe to Pemberton during his interactions with one-armed “commercial agent” Addison), but the need for provisions was so great that uneasy co-dependence prevailed. Indeed, Jones [153] wrote that the Confederate Assistant Secretary of War gave instructions to graycoat officers to “wink” at smugglers. My narrative assumes that general attitude. The price I set for contraband quinine, $100 per ounce, also comes from Jones [284]. Downs [214] helped me compile a credible list of typical bootlegged items. 

Could Addy really have fooled Pemberton into giving him a pass? Fishel [35] tells the story of a Union spy in the Virginia theatre that spent three days in Confederate General Beauregard’s camp. Beauregard not only “refrained from arresting him,” he issued the unbeknownst Union spy a pass that enabled him to move about between rebel camps. Also, Henson was a double agent and for a time was on the payroll of Confederate General Polk [JPerkins 112]. Kane says four confederate generals paid Henson at one time or another [193] and therefore certainly provided him with passes. One other note on the Pemberton meeting: Fishel [295], in discussing the inherent problem of Union spies with northern roots trying to operate in the south (unlike southerner Phil Henson), makes the point that it was far better for Union spies to win acceptance of a counterfeit Southern allegiance than to devise a foolproof Southern identity [my emphasis]. That was the general idea behind Addison adopting smuggler cover; he could “freely” be a self-interested northerner and not have to attempt a southern identity.

My description of the defensive perimeter east of Vicksburg derives from Shea & Winschel [37], but once again there is time shifting involved in my portrayal. I am really describing the situation in and around the city when it was besieged; that is, Vicksburg two months later, in early summer 1863, rather than March. For instance, when Addy attempts to intercept the courier after his encounter with Bristol Cummins, he situates himself between the camps of Generals John Bowen and Carter Stevenson. Bowen was indeed positioned east of Vicksburg and Stevenson southeast during the summer siege. However, three months earlier, in March, when my story takes place, Stevenson and Bowen had both arrived in Vicksburg but neither was dug in east of the city. And Pemberton never had a field headquarters as far as I know. His headquarters in March was in Jackson [Shea & Winschel 94], and when he retreated to Vicksburg, he stayed in the city itself, not out among the troops in the field where Addison could wagon up to his tent.

The set-up wherein Isabelle has gathered critical intelligence but can’t leave Vicksburg in order to deliver it—thus sparking a heroic effort by Addy to penetrate rebel lines, collect the intelligence, and escape back to Arkansas—was born from a simple line in Fishel where he mentions that “resident” spies reported via messenger [296]. JR Perkins noted that Dodge sometimes specifically used women to courier intelligence from resident male spies ensconced behind enemy lines. The women would beg Confederate officers to be allowed to leave the rebel side and cross federal lines in order to visit relatives who were refugees—and then deliver their intelligence [110-111]. I simply made my “resident spy” a woman and made it too difficult for her (Isabelle) to leave, thus requiring Addison’s infiltration. Kane’s [72] description of a female spy living and operating in Richmond also provided credibility for the role I ascribe to Isabel in Vicksburg. A Mrs. Baker, working for the Union, collected intelligence at parties and on sightseeing trips in which Confederate officers showed off “earthworks and fortifications” and she attended “army drills and demonstrations.” 

Edwin Fishel’s The Secret War For the Union deserves special mention. He was an intelligence careerist, beginning in World War Two, and brought much more than an historian’s eye to his magisterial account of Civil War spying. The view he provides readers is through the lens of an intelligence professional. By framing rudimentary espionage tactics in terms of modern day lexicon and practice, he provides unique perspective and clarity. Although he focuses exclusively on the eastern theatre (so that Vicksburg is hardly mentioned and Grenville Dodge not at all), I nevertheless drew extensively from his descriptions of Civil War spycraft. 

 

Section 6

My fictional timing, and actual history, are a close-but-not-precise match in another regard. Addy’s timetable is driven by the failure of the Yazoo Pass operation and the need for him to carry “freshly outdated” intelligence about the expedition to Pemberton. Thus Addison goes back into Vicksburg March 23, supposedly just after Grant makes the decision to abandon a cross-river frontal assault. In fact, historically, Grant made that decision on the morning of March 29 [Shea & Winschel 90]. I derived further specifics on timing and Grant’s overall strategy from Shea & Winschel [75] and Woolworth [11].

The idea for Pemberton bringing in someone (Bristol Cummins) from the same Tennessee town “Owlsley” purports to be from derives from Kane [118]. In the real story, suspected Union spy Lafayette Baker was arrested in Richmond and taken into Jefferson Davis’s office for questioning. Baker claimed to be from Knoxville. Aides located someone from there and brought him in to help validate (or expose) Baker. The individual’s name, Brock, was written on a card on Jeff Davis’s desk; Baker caught an upside down glimpse of it. As the real Knoxvillian entered the room, Baker leaped up and greeted him with a hearty “Why, Brock! How do you do?” Brock was so confused, and embarrassed about not remembering Baker, and Baker so convincing, that Brock essentially ended up confirming Baker’s Tennessee heritage—and Baker avoided a noose.

I came upon countless references to couriers in my Civil War research. Separate and rather innocuous mentions of them in Fishel triggered the narrative development in which Addy kidnaps a Confederate courier, recovers his dispatch, and essentially becomes the courier—which, in turn, led me to create a Confederate agent/courier counterpart in Grant’s camp that Addison had to stop. Fishel mentions a “captured dispatch” [6], and later the Union “capture of a courier” [477] (a rather common occurrence) bound for General Lee just prior to Gettysburg. The “mechanics” of Addy’s intercept of a courier grew out of an anecdote in Benson [146]: on a scout he heard pounding hoofbeats and followed them, surmising the rider was a courier. 

A note to Civil War buffs: I chose the character name Braxton Sware while researching chapter 2—the point in the novel where Sware makes his first appearance. By the end of that chapter I knew Sware would reappear in chapter 8 as some sort of southern military officer. When I began researching chapter 8, over a year later, I was more than a bit surprised to learn that a prominent real-life confederate general in the western theatre was named Braxton Bragg. He actually assumed command of all western forces for a short time after Albert Johnston was killed at Shiloh and Beauregard was shunted off to the Carolinas. Braxton Bragg was also at Shiloh and therefore right in the middle of my story. Some readers familiar with Civil War history might imagine that Braxton Sware is meant to assume the identity, personal history, and/or persona of Braxton Bragg. No. The same given name is pure coincidence. But to avoid confusion my few references to real-life Confederate General Braxton Bragg are all abbreviated to “General Bragg.”

 

Section 7

      As I formulated chapter 8 I was more than a little disturbed that the narrative entirely lost touch with Emma over the course of both Civil War chapters. My broad outline for the novel had been conceived decades before, but when I reached this point in its finer conception and actual writing, Emma’s absence struck me as a problematic design flaw. Then I came across this in Richardson [246]: following Shiloh, the first major battle of the war, which resulted in unanticipated mass casualties, “Hundreds of volunteer nurses, many of them wives, sisters, and mothers, came from every walk of life to join in the work of mercy.” That sentence was His mercy, all right—a Godsend: not only did it make Emma’s appearance as a volunteer nurse credible rather than strikingly coincidental, it also played off her character’s need to assert independence from husband and father. Horn also writes about the volunteer nurse phenomenon following Shiloh—from the southern perspective [148]. 

      Data about the number of wounded at Shiloh and lack of adequate care for them is from Daniel [298-299]. The presence of only one hospital ship staffed by a lone, alcoholic surgeon is also from Daniel [108]. Yes, indeed, “invisible” ink, revealed by the application of milk, existed in the Civil War [Markle 182; Varon 113]. “All mouths and eyes” is an expression taken from Estabrooks [218].

      The idea for Addison floating back across the Mississippi River with the aid of a driftwood raft—in pursuit of a fisherman-spy—was inspired by similar-but-separate incidents involving both Union and Confederate scouts/spies. Shea & Winschel [83] tell of a Union courier who floated past Confederate guns in a “skiff disguised as a log” on behalf of Admiral Farragut during an engagement further down the Mississippi River but only a month before Addy does it. Loughborough [115] describes a Confederate courier carrying a dispatch from General Johnston to General Pemberton (near the end of the Vicksburg siege) stripping upriver, bundling his clothes and messages atop a plank, drifting down the Mississippi two miles with just his head exposed, and landing at Vicksburg. 

The idea for a fisherman having permission from the Union side to ply his civilian trade unmolested when in fact he was a rebel spy/courier, comes from Downs [268]. Fishel also mentions a spy disguised as a fisherman [17]. The Downs fisherman-spy lost a hand at Shiloh, which is where I got the idea for Addison faking a missing arm. 

In several places in the novel—twice in just this chapter—Addy chooses vigorous, confident, pro-active deceit as his best strategy. He does it when he excitedly greets Bristol Cummins in alias and again when he demands to know why those gathered at Vicksburg landing failed to stop the retreating “spy” (when in fact he is the spy). While an offense-is-the-best-defense strategy is fairly common in both fiction and reality, the technique coalesced in my mind as a storytelling device after reading these three accounts:

Ÿ Southern agent Walter “Wat” Baker was making his way through a forest when he stumbled upon a group of Union soldiers seated around a campfire. There was no chance for escape and he had no reason to be there—no “cover.” He immediately assumed the role of aggrieved farmer and castigated the Yankees for warming themselves with his burning fence rails. An argument just as heated as the campfire flared but eventually both sides cooled down and Wat even partook of a cup of coffee offered by the federals. He determined the soldiers were a search party in search of him, spy Wat, but in those mostly pre-photographic days descriptions were vague. Wat tugged on his chin and recalled seeing someone matching the description of “Wat” just the week before. He reported Wat had gone thataway, then promptly retired in the other direction—with no hard feelings about the charcoaled fence rails [Kane 161]. (The reader may well see the echo of Addy’s character in such true tales.) 

Ÿ Union spy and journalist Richardson [433] wrote: “I had learned long before how far a man may go, even in captivity, by sheer, native impudence—by moving straight on, without hesitation, with a confident look. Just as if he had a right to go on, and no one had any right to question him.” 

Ÿ Fishel [24] tells of a Union spy inopportunely happening upon two Confederate riders and boldly demanding their countersign. They gave it—and didn’t ask for one in return.

The description of Vicksburg-under-the-hill derives from Shea & Winschel [17].

Oldroyd, an eyewitness at Vicksburg, provided background on mortar boat shelling [31] while Loughborough [64,78-79] inspired my description of an arcing shell.

As an aside…lest a reader think Addison’s life—here and in other chapters—is too sensational for fiction, Fishel [462] relates the biography of Mordecai Hunnicutt. He was born to Quaker parents in Virginia, moved to Ohio in his teens, fought in the Mexican War, went on a failed filibustering expedition to Central America in the 1850s, was captured there and ended up as the pastry chef in the palace of the president of Costa Rica, lived in Kansas during the “bleeding times,” was a detective in Memphis, and a Union spy in the Civil War. He was later accused of murder and died ingloriously in Waco in 1891. Addison True was fully outlined long before I heard of Hunnicut, but I was pleased, in a confirmatory sense, to read of the parallels between his real life and Addy’s fictitious one. 

The idea for Addy sneaking onto the prison train in order to escape Vicksburg was “reverse engineered,” if you will. The escape-off-the-train portion took root in thought as a result of a one-sentence reference in Estabrooks [9], but then fully blossomed after I read JR Perkins’ account of Henson escaping off a train in Alabama while a prisoner [114]. That’s when I began to work backwards: the inspiration for Addison sneaking onto the train is based on the experience of a friend’s now-deceased Belarussian business partner when the latter was a young man in World War Two China. His family was living in Shanghai when invading Japanese summarily executed his father. The teen was imprisoned, escaped, but snuck back intoprison a few hours later, knowing he needed to think through a plan for traversing all of China to Indochina and freedom. I drew on that remarkable story when trying to figure out how pursued Addy could successfully flee encircled Vicksburg. 

 

CHAPTER NINE

 

Section 2

   A note on the Sam-Addison alliance: as Addy explains it to Sam (and the reader), neither could make it to freedom alone, whereas together (Addison’s ability to navigate and live off the land; Sam’s ability to secure the help of slaves along the way) they stood a chance. That’s probably accurate. The vast majority of slaves that made it to freedom were from border states like Kentucky and Virginia [Bordewich 271], and that’s principally where the Underground Railroad operated. Slaves denied education—including geography lessons—and without “wilderness skills,” had trouble escaping the Deep South. That said, if Addy and Sam were real-life figures, Addison, realistically, would most likely have dared Confederate lines in Mississippi and tried to reach Union forces there rather than trek hundreds of miles north.

   There’s obviously a complex dynamic between Caesar, Oswald, and Samuel. The idea for Samuel having a son and that son being the product of Oswald raping his wife sprang to thought when I read a sequence in Estabrooks [122-23]. The on-the-run Union soldier was eating a meal in a slave cabin that had an upstairs room. A very light-skinned slave invited Estabrooks to take a look at it. The loft contained a mahogany teacher’s desk, chairs, books, and writing materials. Clothes were hanging about, including a military coat. “The white negro, seeing my curious glances, took it down, and handed it to me. It was of very fine blue cloth, its breast and skirts covered with gold braid and lace, and altogether was as rich a garment as I had ever seen. It had been the pride of the planter in his younger days, when he was a captain in the United States Navy, and by him had been given to his slave son who stood before me.” I also read a fairly innocuous passage in Rudisel & Blaisell [56] about “conductors” on the Underground Railroad in Philadelphia interviewing a runaway who had made it to the city. He mentioned his father was the white captain of a ship, who acknowledged him (the runaway) as his son, and even protected him as much as he could. From those two passages was Caesar born.

   Some specific references. The description of the fireplace in Samuel’s cabin is from Abernethy [31] and Clappe [58]. I have Samuel use the term “escape fever.” Estabrooks [50] writes of “A perfect fever of escape…” I came across several references to slaves making friends with their owner’s dogs and thus negating or diminishing their effectiveness when the slave later escaped, but the first was in Williams [36]. “That sword serves the south!” is from Starr [58]. “Every mean trick and invention” is from a gold rush diary [EPerkins/Clark 194].

   I make Samuel generally mild-mannered and somewhat religious. That disposition was inspired by a scene in Estabrooks [121]. Recall Estabrooks was a Union soldier whose book recounted his escape from the South. At one point he was aided by a slave family and talked at length with their “jovial” twenty-year-old son. The boy was proud of his self-education and showed off his spelling book. “In speaking of the Rebels, I made use of a somewhat strong expression; and, in the gentlest manner, he asked if the ‘good book’ taught us to speak so of our enemies. I took the rebuke in good part, and, with a feeling of mixed shame and amusement, acknowledged that he was right. After that, I was very careful to keep on my best company manners.” Passages like this, and in other readings, always shocked me. Slave owners daily trampled basic Christian values while those who were violently enslaved and abused often lived those values. I wanted Samuel to represent such transcendent character. I also wanted Addy to learn something from Samuel, and since it couldn’t be anything in the way of typical knowledge (again, education was denied Sam and almost all slaves), it seemed logical that what Samuel could teach Addison was some basic morality. 

 

Section 3

   “Incurable by reason or truth” is from EPerkins/Clark [195]. 

   “Looks too good for negroes and not good enough for a planter” derives from Estabrooks [115]: “It seemed too good for negroes, and not good enough for white people…” Indeed, Addy exposing his “Yankee” in this scene to the couple that operate a sawmill, escaping their house, then sneaking back to steal horses, was inspired by a same-but-opposite-resulting incident in Estabrooks [115]. The escaped Union soldier entered a home in Virginia, attempted a Southern dialect, then departed, but hid in the woods nearby to see if the owner exited, suspicious of the visitor—but he never did. Estabrooks assumed he had convinced the man he was Southerner and continued his journey.

   Rachel is a composite. One element of her comes from Richardson [151]. He was a Union spy, escaped across North Carolina, and ran into a “peculiarly intelligent” female slave who “interrogated” him about the progress of the war and the views of northerners towards slavery. As mentioned, most slaves were purposely kept in ignorance. I found Richardson’s real-life knowledge-seeking slave girl charismatic in a way I couldn’t resist. Rachel was also greatly informed by the Patsey character in Twelve Years A Slave. I read the book, along with a dozen other slave narratives, in 2011 while researching a screenplay (two years before the Oscar-winning movie with that title was released). Of all the slaves described or profiled in those dozen books I read, the one that stuck with me the longest—and haunted me to some extent—was Patsey. (For that reason I wasn’t terribly surprised to hear the book was being made into a movie, even though it had been published 160 years before!) The violence, torture, and outright murder that defined slavery was obviously horrible, but there was something that struck me as even worse—if that’s possible—in the story of Patsey: the crushing of the human spirit. In the Northrup book she is portrayed as early on as having a joyous, indefatigable essence that her master systematically deconstructed with his relentless carnal pursuit. She fought him just as endlessly, and was whipped frequently for it—egged on by his wife (echoed in Rachel’s backstory)—but it was a battle she was fated to lose. In homage to Patsey I imbued Rachel with some of her effervescence. 

   Bordewich [216] mentions a linsey-woolsey dress. I vaguely recalled a similar reference in a book I’d read five years before; I located and consulted my copy of Incidents in the Life of a Slave Girl. Author Jacobs/Brent [Section 2] describes a linsey-woolsey dress as being “one of the badges of slavery.” Rachel was thus outfitted. 

   Mixing dough on chestnut bark and baking it on heated stones is a recipe from Ellis [134].

   When our four flee north for Guntersville and the Tennessee River, the first horse that broke down “wouldn’t stir a step.” That phrasing, referencing a balky mule, is from Beymer [102].

   After his overseer is shot dead by Addison as the story nears Guntersville, speaking of Rachel, Cooper cries out “I’ll go to hell or have that girl.” That derives from Rudisel & Blaisdell [90] telling of a father and son from Maryland who, chasing “their” runaway slaves into Pennsylvania, find themselves in a disadvantageous position. The son suggests they quit the pursuit but the father refuses, saying that he would “go to hell or have his slaves.” Another telling of the same story has the apparently-hungry father (a man named Gorsuch) saying “I’ll have my property, or I’ll breakfast in hell” [Bordewich 330]. In a melee with the escaped slaves that followed, the father was badly injured but survived while the son was killed. The line “I’ll go to hell or have [that girl],” for me, echoed the rapacious lust Epps had for Patsey, so I put the phrasing in Cooper’s mouth. 

 

Section 4 

   Huntsville was occupied for much of the war, though with one break. The first occupation ran from April 11, 1862 to that fall, and then from fall 1863 continuously to the end of the war. Thus the visit by our trio to the town in May 1863 would have found it absent Union troops. 

   Confederate General Bragg indeed encamped for six months at Tullahoma, ao he would have blocked Addy, Samuel, and Caesar’s way west to Nashville on the rail line from Chattanooga. Bragg was eventually forced to retreat to Chattanooga and fought a famous battle there, but the withdrawal wasn’t until the end of June, after our fictitious threesome had passed through [Horn 231,236-37].

   Burning blue mold off bread and eating it is from Ellis [158].

   References to itinerant preachers were common in the Civil War books I consulted, and I noted several allusions to spies using clergyman cover, including Varon [121] and Downs [89]. Also, wearing a disguise to flee the antebellum south seems to be a feature of virtually every true-life, and fictitious, account of escaping slavery stretching back to Uncle Tom’s Cabin and beyond. In Downs [215] a white Union spy and his black scout disguise themselves as a southern planter and his servant. 

   Trusted slaves moved about fairly freely from plantation to plantation or into town on errands, but always with a pass. References to forged passes were recurrent in the research I conducted, but I first got the idea for Sam’s pass from Brown [63]. Bordewich [100] explains the ultimate irony of the pass system. A “free” black man had no rights under the law, so he was constantly subject to the threat of kidnapping. But a slave was property and thus stealing a slave was not only theft, it was regarded with as much opprobrium as horse theft in the Old West. Thus it was generally safer to be a slave with a pass than a free black man.

   When Samuel reaches Huntsville I write, “every town got a safety committee that roamed about looking for runaways and deserters.” Sam was confronted by two such armed members. Committees on Safety are widely remarked on in books about the war but the first reference I saw was in Beymer [269]. Samuel accosted and befuddled by a prostitute was drawn from an account in Williams [7]. The real-life incident took place in New York in 1850. Williams’ temptress first asks him to come home with her, and when he declines, she “commenced to abuse me, and I grew belligerent, and she called the watch.” The watchman struck Williams with a cudgel, but unlike Sam, he made his escape. When Samuel is in Huntsville a white man asks “Boy, who do you belong to?” Unfortunately such emasculating speech was commonly employed, but the phrase (I use) is a direct quote from Williams [1], so I credit him here. 

   The idea for having Caesar speak for Addison in Huntsville derives from Rudisel & Blaisdell [39-41]. The story they tell is intriguing. Husband and wife slaves—her light-skinned—contrived to disguise themselves as a young male planter (her) and a male servant (him). She wrapped her head as though she were sick, in order to hide her beardless face, but they also portrayed the illness as so severe she was unable to speak. They made it safely to Philadelphia from Georgia. I simply transformed the thing to be disguised from gender to Addy’s Yankiness—and then tossed in laryngitis, which seemed credible for a preacher.

   I got the idea for the suspicious-of-Addison man in Huntsville—the displaced farmer originally from Pittsburg Landing who recognizes him—from a sentence in Estabrooks [98]. At one point the escaped Union prisoner, surreptitiously making his way north across Confederate Virginia, hitched a ride with a slave driving a wagon. They came upon a mounted white man on the road, exchanged greetings, and the stranger rode on. “The negro told me he was a bitter rebel by the name of Carnigan, a planter from Vicksburg, whence he had been driven by Grant with the loss of all his slaves and other property.” I was also influenced by a Beymer story in which a Union spy is spotted in a civilian setting [27].

   The idea for hiding in the washtubs is mine. While researching chapter 8 I came across a Google images photograph of slave wash kettles, of the size I describe, on an antebellum plantation. I recalled the picture while outlining chapter 9. The flute-as-breathing-device derives from a story told by a fellow trainee while I was in government service. He had been a carrier pilot in the Vietnam War and had been shot down over the North. He parachuted into a swampy area surrounded by Vietcong. He remembered movies where the hero in such a predicament submerged and breathed through bamboo. He tried it, but unlike Hollywood bamboo, the real stuff leaks. Gagging, he surfaced to find the edge of the swamp, a few feet away, heavily populated with Vietcong aiming rifles at him. I thought of my Bachelor Officers Quarters roommate while writing this and leaky bamboo was transformed into a flute, since slaves were often allowed to make music in the quarters, and did. 

   My claim in the text that a slave assisting a Yankee was sufficient cause for executing the slave is no exaggeration [Estabrooks 206].

   I don’t know if runaway slaves dipping their feet in tar to reduce their scent and throw off bloodhounds was or wasn’t common practice. The only place I came across it was in Sarmiento [267]. 

   As an aside, Bordewich [269] mentions a merchant seaman in the Civil War era who was “genuinely comfortable” with blacks. Years before I ever read that reference I came up with the idea of Addy being “genuinely comfortable” with various ethnic groups as a result of working with different races on a whaleship, but I was pleased to have my original conception validated. Furthermore, despite having worked on Nantucket during summers while in college, until I began researching this chapter I forgot the island had an extensive Quaker population in the 19th century and that the “Friends” purposely hired runaway slaves to man whale ships [Bordewich 139].

​

​

​

Section 5

   Tennessee and Kentucky were indeed fertile ground for confederate raiders throughout the war, especially in the latter half of it when “asymmetrical” warfare (modern term, ancient practice) served as something of a counterbalance to southern losses on traditional battlefields, especially Gettysburg and Vicksburg. Historian James Horan [260] wrote: “There was no darker or bloodier ground than the gentle Blue Grass of Kentucky in the spring of 1865, where murder bred murder and justice was distributed on the barrelhead.” It was only slightly less so in the spring of 1863 when Addison, Samuel, and the others traversed the Tennessee-Kentucky region.

   Southern civilians fleeing Union advance and herding their slaves to Texas derives from Shea & Winschel [87]. Bordewich [135-36] describes the kidnapping of free negro boys in Ohio (ripped away from their free negro parents, meaning the boys had never known slavery) and selling them in Kentucky and Tennessee to whites who wanted the “prestige” of owning a slave. 

   The muteness I assigned to the kidnapped boy was the coming together of two elements. The first is a variation on the theme I mentioned in connection with Rachel—how the crushing of the human spirit was as horrible as the physical brutality of slavery. It’s gut-wrenching to read accounts of entire families ripped apart at the auction block, with father, mother, and children sometimes sold to different owners. Again, history tends to focus on outright violence, which is understandable, but I couldn’t help but consider the psychological torture such separations surely inflicted. An article entitled “The Long-Lasting Legacy of the Great Migration” in the September 2016 issue of Smithsonian Magazine by Isabel Wilkerson included an anecdote about a four-year-old boy who took a train north from Mississippi with his grandmother and extended family in 1935. They were representative of millions of African-Americans that migrated out of the south over a half-century beginning around World War One. Prior to leaving, the boy had been greatly disturbed to hear the grown-ups say they might leave him behind with his father’s relatives, who were strangers to him. The move was also timed to his parents’ separation and the youngster didn’t know if he would ever see his mother again. In the end he was brought along but remained haunted by the fear of abandonment. By the time the family arrived in Michigan the boy had developed a stutter, and then began to speak less and less. Eventually he went mute for eight years. A high school teacher used poetry reading to coax him to speak. He not only came out of his shell, he went on to college and studied theater. The boy was James Earl Jones, whose voice is one of the most recognizable in America. Not to diminish Jones’s experience in any way, but imagine compounding his childhood history with sudden slavery and being torn from all family members, and perhaps the reader can see why I wanted to utilize muteness to symbolize the psychological terror of those times. 

   Soldier-diarist Oldroyd [12] wrote about being on a foraging expedition (near war-time Vicksburg) with a friend and running into a “young mistress who had just been deserted by her negroes, all alone, crying, with but a scant allowance of provisions left her. She had never learned to cook, and in fact was a complete stranger to housework of any kind. Her time is now at hand to learn the great lesson of humanity.” That passage so filled me with contempt for a system which allowed utter idleness, on the back of slave labor, for over two centuries, that I knew I had to portray the young mistress’s “type” somewhere in my story. 

   Some phrasing in this section: Addy “fevered with anxious” derives from Ellis [139] (feverish with anxiety), and “rebel blackguards” is also from Ellis [33]. 

   Part of Jubal James’s backstory derives from Ellis [163]. In July 1863 Ellis piloted a group of men over the Cumberland Mountains to Kentucky. They had been working in saltpeter mines in Tennessee and had exemption papers, but concluded they were on the verge of being conscripted into the Confederate army anyway and deserted the mines en masse. I happened to move to Kentucky about the time I was one-quarter of the way through writing Addison True. Although the etymology of the phrase “Bluegrass gentry” is almost as old as Daniel Boone, the first reference I saw to the term was in Starr [95]. I quickly appropriated the label because it ideally nutshells the socioeconomic rank and status I wanted to ascribe to the James character.

   Back in chapter 6 it struck me that I needed to give Burns Flush some sort of distinctive look so that Addy (and the reader) might distinguish him at fairly long distances (as well as Addison’s Kansas neighbor, who must readily and credibly identify Lydia’s killer from afar). I chose a pinned-up hat arbitrarily, simply for its uniqueness and ready identification, though also for the swagger it implied. One of the last books I read while researching chapter 9 was Starr’s biography of George St. Leger Grenfell, a Brit mercenary who rode with John Morgan Hunt. I was amused when Hunt’s men were described as wearing broad-brimmed hats pinned up one side in a style that emulated Hunt himself [54].

   The origin and development of the Knoxville armory raid was another dual-source mash-up. This in Estabrooks [179] planted the idea (he was speaking with slaves): “These women told me all about the strength and disposition of the rebel forces. They were particularly desirous I should tell our generals about a place called Stoney Creek depot, where a large quantity of supplies, wagons, and cars were stored, which it would be well to destroy.” That gave me the idea of morphing depot into armory and instead of Addy and company destroying it they would loot it. Confederate raider Duke’s extensive description of the effectiveness and portability of mountain howitzers [51] gave me the idea for having our hero-raiders pilfer one from the Knoxville armory. (There was indeed some sort of Confederate armory in Knoxville until September 1863 when invading Union forces dismantled it, but my armory layout is entirely fictional, except for the look of the building itself. Google-image “John Brown armory Harper’s Ferry” and you’ll see my model for the Knoxville armaments edifice.) Markle [134] tells of a Union spy sent to burn a bridge over the Savannah River at Augusta, Georgia. I turned that into blowing up a bridge. 

   The origin of the “handkerchief waving” exchange between Addison and Samuel derives from two accounts. Starr [65] tells of Confederate raider John Morgan, “a universal favorite” of “female secessionists,” riding into a southern-sympathetic town in Kentucky during the Civil War with his scores of irregulars and being met by handkerchief-waving women (they also wept and threw flowers). Morgan’s brother-in-law Basil Duke likewise tells of dainty-waving young ladies in Knoxville [48].

    Morgan’s reputation seems to be that of a gentlemanly plunderer (oxymoron intended), but other guerrillas were true cutthroats, like Champ Ferguson. He was, in essence, a serial killer who used the Civil War to mask his penchant for homicide. Starr [61-62] writes that at his trial following the war, Ferguson was charged with murdering 53 men and boys—though he is thought to have killed over 100—almost all slaughtered in cold blood. Ferguson, operating in the same Tennessee theater where I have Burns Flush marauding, certainly lends credibility and plausibility to the violence in the later half of chapter 9. (True to the spirit of my “handkerchief waving” irony, when mass murderer Ferguson was hung in Nashville in October 1865 he was wearing a new black suit presented to him by local female admirers.)

   I have the Quaker in Cincinnati affiliated with the Underground Railroad say the reward for returning a fugitive slave “can equal a year’s pay.” That is accurate according to Bordewich [78]. Similarly, slave hunters making a living preying on runaways in and around Ripley is from Sprague [99]. The phrasing the steamboat leadsman uses as Addy, Sam, and Caesar approach Ripley is from Stanley [123], and yes, it is most certainly a nod to Mark Twain..            

   As the narrative mentions, most escaped slaves crossing the river into Ohio from Kentucky used the Underground Railroad to continue on to Canada. That was particularly true after passage of the Fugitive Slave Act. But there were also a few who dared fate—or simply showed profound courage—and settled in Ripley or the Cincinnati area. Thus Jinley residing in Ripley is credible. Although my story doesn’t spend much time in Ripley, general background on the town derives from Hagedorn. Bordewich [189-201] and Sprague [9] also comment on Ripley. 

   I liked the idea of creating an associative link between Addison True and Uncle Tom’s Cabin. The famous dash to freedom by Eliza (heroine of the Harriet Beecher Stowe novel) across ice floes on the Ohio River, baby in her arms, was based on the perilous passage of an actual runaway. She crossed the river from Kentucky in early spring intent on reaching Ripley, which was indeed a beacon for escaped slaves. She plunged into the river several times, pitching her baby forward to the next ice floe each time. When I conceived of this chapter in broad outline—Addy teaming with Samuel to escape north to freedom—I knew their journey must terminate at Ripley.

 

CHAPTER TEN

 

   For many years I imagined the final chapter of Addison True would center around a cattle drive, and not just any cattle drive, but most likely the “first” one, since I knew Addy was headed west again immediately after the Civil War and that’s when cattle drives essentially began. But I eventually abandoned that idea (it seemed to me a too-common western novel element) in favor of Addison serving as a scout of some sort during construction of the transcontinental railroad. Still, I wasn’t sure how the plotting would work other than that the denouement would certainly include a final confrontation with Black Wolf. After reading Robert David’s book about Finn Burnett I decided Addy would chase Black Wolf up to Powder River country. Only few weeks later I was standing in my local Barnes & Noble bookstore and saw a copy of The Heart of Everything That Is, a history of Red Cloud’s war in Powder River country, staring back at me from the shelves. I nearly fainted. The book, authored by Drury & Clavin, had actually been published a year before but I had not heard of it. The Heart of Everything That Is was a gift from on high in terms of providing me with an overview of Red Cloud’s war and the set-up at Fort Phil Kearny—much like Paul’s Blue Water Creek and the First Sioux War 1854-56 served as a foundational resource for chapter 5—and essentially saved me weeks of research. Heart also provided detailed background and evocative descriptions of places, events, and moments that intersect with my narrative.  

 

Section 2

   The location of Dodge’s Union Pacific headquarters, in the U.S. National bank building in Omaha in 1866, derives from JPerkins [198]. (And there’s a wonderful image of it available online.)

   One of my goals re Addison’s meeting with Grenville Dodge in Omaha is “disguised exposition,” as I have long referred to it to writing students; that is, Dodge briefing Addy on the state of affairs across the Platte Valley and up in Powder River country as of August 1866 simultaneously informs the reader. That history, of the transcontinental railroad and the Indian wars in 1865-66 (and later), is told in any number of books, but I drew the gist of Dodge’s tutorial to Addison from Ambrose [130,133-36], Drury & Clavin [4-5,172,190-96,219], Nadeau [198-201,205-215], FCarrington [44-47] and JPerkins [176-79,187,194]. It was indeed Dodge’s opinion that the government “never kept a single important treaty made with the Indians” [JPerkins 192].

   Real-life Grenville Dodge was in Omaha on August 31, 1866 so he could have met with fictional Addison on that date. According to his unpublished memoirs [576] he left Omaha on September 11 for a lengthy engineering-reconnaissance trip to Wyoming. Obviously he would have taken the train to the end of the line before proceeding by horse or mule, but I chose not to have another (narratively needless) meeting between him and Addy as the general passed through, and then pretended Dodge was in Omaha a week later when Addison telegraphed him. 

   Dodge did in fact employ Pawnee scouts. He organized two companies of scouts and guides and they played a significant role in railroad and military operations in the period 1865-67 [JPerkins 174-75]. Dodge indeed knew Bridger well, and clearly liked and respected him [JPerkins 215]. He employed Gabe as a scout prior to the war and again during the 1865 Powder River Expedition [JPerkins 178]. Moreover, Dodge wrote a short biographical sketch of the mountain man. 

   The reference to a “tinseled” up uniform is from Starr [53]. The lack of a railroad bridge across the Missouri river until 1872 is from Kreck [218].

   The derailment and attack by Brule raiders in this chapter is based on a famous Indian operation that actually occurred a year later, on August 7, 1867, but at the general location I describe—Plum Creek. It was a Cheyenne raid with a few Sioux. Accounts vary (widely) but apparently at least a half-dozen trainmen and telegraph workers were killed in the derailment and attack that followed [Nadeau 239; Kreck 65-69; Ambrose 222]. 

   Hollywood usually provides Indians with rifles and superior marksmanship in westerns. For much of the time period of Addison True (pre-1865), Plains Indians—as well as Apaches and Paiutes—had either no rifles or inferior ones, weren’t very proficient in their use, or had trouble getting ammunition (which didn’t allow for practice and thus the poor marksmanship). But around this time (1866) traders flush with surplus Civil War arms were selling Indians advanced rifles and sufficient ammunition—or weapons and ammunition were stolen in raids [Drury & Clavin 195; JPerkins 191].

   Composition of the work train (identification of individual cars) is from Ambrose [174,179,181] and Kreck [91]. Description of the tent city is from JPerkins [201], Kreck [104,108], and Ambrose [218-19]. I purposely omitted use of the appellation “Hell on Wheels” because the term was not in use at the time of my story; it was coined several years later.

   I placed a backwards-facing engine on the rear of all Union Pacific supply trains in 1866 for one simple reason: I needed an engine there for the climactic encounter at the end of the chapter. Certainly it would be logical to have engines on both ends, since there was no place to flip units around on a dead-end track. I don’t know how the U.P. handled the problem in the time period my story covers. I do know roundhouses were built at North Platte in the winter of 1867, just after Addison passes through and my story ends. 

   I know not where to place this note so I’m going to slip it in here. Readers familiar with post-Civil War Plains history might wonder at the absence of General William T. Sherman in this chapter. He played a significant role immediately after the war subduing hostiles while the transcontinental railroad was built. Since Addison had interaction with Sherman in chapter 8, it might seem logical to work erratic William Tecumseh into this chapter. But there wasn’t a role for him and I worried that fleeting mention of him (simply to acknowledge his historical presence) could distract or confuse, in the sense that naming him might cause readers to conclude, and expect, he was being re-introduced into the narrative. 

   

Section 3

   “Fine-grown lad” is from Loughborough [161]. I put Jasmine in a tent because of this description in Kreck [188], which appeared in the April 13, 1869 Salt Lake Telegraph: “several promiscuous ladies in eight-by-ten duck domiciles…” 

   The description of actual track laying, including the iconic labor of the spikers, was drawn from Barter [78-81], Kreck [99-100], Ambrose [180], and JPerkins [200-01]. “Abe Lincoln himself” establishing the track width also derives from Ambrose [180].

   Long Eye, the name Indians assigned Dodge, comes from JPerkins [175]. Dodge remaining for two weeks on the spot where he was wounded at Pea Ridge is also from JPerkins [85].

   A word about the Spotted Elk character and his name. I originally created an Oglala chief to chase a murderous Brule chief (who became Black Wolf). I arbitrarily assigned the Oglala the name Spotted Elk. As I researched Addison’s years on the Plains (1855-1866) I quickly discovered there was a real-life (and well known to historians and history buffs) Sioux chief named Spotted Tail. The real name and my fictitious one were purely coincidental, but then I began to discover that Spotted Tail’s life coincided to an eery extent with the fictitious one I created for Spotted Elk (mostly in terms of being torn between staying true to his people while advocating for peace—knowing armed confrontation with the whites and their overpowering might could only mean destruction to the Indians). That discovery—of overlaps in their biography—didn’t alter my story formulation and telling in chapters 5 and 7, but in this chapter I consciously directed art to imitate life. That is, I determined Spotted Tail’s movements and actions in this time period and generally had Spotted Elk dub those same movements and actions. That is true of Spotted Tail’s (and Spotted Elk’s) presence at Laramie in June 1866, his retreat to the Republican River to hunt, abandonment of him by his young warriors in favor of Red Cloud, and his return to Laramie in late September 1866 [Nadeau 213-215]. While writing this chapter I went back and altered chapter 7 so that Spotted Elk was wounded in the Battle of Blue Water Creek just because Spotted Tail had been. One element where fact and fiction do not coincide: Spotted Tail was a Brule Sioux, not an Oglala. (My designation of the Brule as “bad” (because of Black Wolf) and the Oglala as “good” was flip-of-the-coin arbitrary.) 

   Attacks on grading parties and survey crews were common occurrences. The specifics of the attack I sketch in this section are entirely fictionalized.

   The rather grisly method of Jasmine’s death is adapted from Ware [366]: “It seemed as if the Indians thought it was a funny thing to shoot an arrow down through a chicken and pin the chicken to the ground.”

 

Section 4

   Unlike his fictitious wife, Henry Maynadier is indeed an historical person and a largely sympathetic figure. It could well be argued that the funeral he arranged for Spotted Tail’s daughter caused the chief to renounce warfare against the whites once and for all [Nadeau 201-205]. That said, Maynadier appears to have been naïve about the seriousness of the threat in 1866. He called Red Cloud’s storming out of treaty negotiations at Laramie in June a “tantrum” and said Red Cloud could be made a “friend” [Carrington 125]. Those were clearly misjudgments—at least at the time. Moreover, Nadeau [215] suggests Maynadier’s unfounded faith in the 1866 treaty (signed by Spotted Tail and rejected by Red Cloud) led to civilian wagon trains leaving Laramie with insufficient protection and understanding of the looming threat. 

   I don’t provide specific timing in the text, but in my own timeline for the chapter, Addison arrives at Laramie at virtually the same time Spotted Tail/Elk returns there.

   Stillwater At Morn is my creation rather than a fictionalized historical figure. She was born of several considerations. I felt the trip from Laramie to Fort Phil Kearny required some sort of foil for Addison. (Bridger purposefully serves that function in next section, but I needed a “bridge” foil.) Also, heretofore, I largely ignored matters spiritual or religious in the story, or in the case of the Sioux, mystical. But this last chapter has a lot to do with Addison re-evaluating his life and a blind squaw mystic-of-sorts seemed like a unique way of inducing self-examination on Addy’s part. 

   A number of different tribes were known for cutting off the nose of real or suspected adulteresses, and sometimes doing worse damage. 

   Bridger’s acumen for recalling terrain was legendary [Ware 204; Alter 51,245]. One thinks of a photographic memory in terms of the printed page, but illiterate Gabe may have had that unique gift and employed it in remembrance of topography. 

   The description of the territory on the Bozeman Trail between the North Platte and Fort Reno is from JPerkins [186]. “…Weren’t a white man lived from the Oregon Trail cutoff clear to the Montana gold fields” derives from FCarrington [65].

   Black Wolf’s speech, as translated for Addy by Stillwater At Morn, is drawn from a number of different speeches by chiefs: Standing Elk [GHolliday 90], Charachaush [Carleton 88-89], Yellow Wolf [Hafen 251], Spotted Tail [Ware 114], and Red Cloud [Bratt 68; Drury & Clavin 245], plus Carrington’s description of the chiefs’ reaction to events at Laramie in the summer of 1866 [46-47].    

   I wrote that Carrington issued an order that only civilian trains which included a minimum of 40 armed men would be allowed to proceed along the Bozeman Trail. Doyle [127 note] cites General Pope’s General Order #27 which required a train to have at least twenty wagons and thirty armed men before it could proceed. Nadeau [214] attributes the 30-man minimum order to Carrington. Drury & Clavin [250] write that 30 men was soon revised upward to 40. Specifics about Army mule trains were garnered from GHolliday [16]. 

   I don’t know if “wrong line of march” was a commonly used phrase back in the day, but I got it from GHolliday [27]. 

   “My” skirmish at Crazy Woman Creek closely follows the sequence and details of a real fight at that location as provided in the only known account of the battle. While writing her memoir, Frances Carrington apparently located the lone survivor of the attack some 42 years after the event—a man identified only as SS Peters of Omaha—and included his written remembrance in her book [73-81]. The generalities and specifics I borrowed from the Peters version are too many to detail, but they include location, terrain, tactical aspects of the fight, and so on. The main difference between fact and my fancy is timing. The real fight took place ten weeks prior to my fictionalized skirmish. Was Jim Bridger even in the general vicinity ten weeks later? That is, could he have rescued the train according to my narrative timetable? Yes. Bridger returned to Fort Phil Kearny [FPK] from a visit to the Crows, near Virginia City, in “October.” Indeed, he passed through a fort 73 miles (2-3 days travel) north of FPK in late September [Alter 326], so his arrival at FPK was likely on October 1 or 2, 55 miles from Crazy Woman Creek. “My” Crazy Woman fight takes place around October 3.

 

Section 5

   Referring to an 1860 expedition, Alter [288] wrote that Bridger’s “advice often became Captain Raynolds’ order.” I transformed that into “Whatever gone in the captain’s ear come out his mouth an order a few minutes later.” I write that Gabe’s skin looked like the Declaration of Independence. That derives from Alter [232]. He wrote that Bridger’s “skin resembled parchment in color.” Gabe questioning the siting of FPK is from Drury & Clavin [255-56].

   As Frances Carrington arrived at Fort Phil Kearny in September 1866 a wood detail was passing through the gate with a killed and scalped soldier [86]. Rarely does history follow fictional conventions, but it struck me as a real-life harbinger. I knew I had to adapt the incident for Addison’s arrival.          

   In terms of events at FPK in the fall of 1866, my description of the fort, the timetable of events, and general perspective, are all heavily dependent on Frances Carrington’s firsthand account, though her book was published many years later. And again, Drury & Clavin [262] do a marvelous job of putting all the pieces together and parachuting the reader into the midst. Both of those books include maps of the fort and surrounding terrain that proved indispensable as I plotted my story. Bratt, who worked there as a contractor, also provided a general description [84,87] and specific details. 

   My representation of the sentry/flag/signal system atop Pilot Hill is based largely on Bratt [95]. Colonel Carrington did indeed hire any civilians passing through that sought work [Drury & Clavin 281]. 

   Addison’s conversation with an officer’s wife—“Mrs. Grummond”—was a bit of insider fun. That would be Frances Gummond Carrington, nee Frances Grummond, the (eventual) wife of Colonel Carrington and author of the book I have been citing. Let me explain. Frances Grummond was married to George Grummond, an officer at FPK. He was killed in the Fetterman Massacre. A widow at age 21, Frances Grummond returned home to Tennessee. When Margaret Carrington, wife of Colonel Henry Carrington, died, Frances married the Colonel. Frances wrote her reminiscence about FPK decades after events took place. 

   Bridger up on the sentry walk “constantly scanning”—monitoring Indian movement and signals—is from FCarrington [96]. His relationship with the Crows and Snakes is well documented. Given tribal rivalries, Gabe thus “incurred the bitter hatred of the Cheyenne and Sioux alike” [Alter 322]. The phrasing “quile right down on the ground under a buffler hide” and “Kin git up quicker” is adapted from Alter [187]. The interchange between Addison and Bridger regarding Carrington naively giving gifts to Sioux scouts is from Drury & Clavin [256].

   While Bristol Cummins is of course a fictional character, I integrated him into a group of historically genuine miners (turned prospectors) that drifted down from the disappointing gold fields near Virginia City (in future Montana), got caught in the middle of an Indian War, and sought refuge in FPK [FCarrington 120-21]. Carrington puts their number at “about fifty.”

   Goose Creek as the location for gathering hay is from Carrington [128] and Bratt [87]. Piney Creek as the location for gathering firewood is Bratt [87]. The location of the pinery is from Drury & Clavin [261]. The cattle herd reduced from 700 to 50 head is from Drury & Clavin [286].

   The identity and specific location of “Goose Creek” proved elusive (to me anyway). A Goose Creek runs through present day Sheridan, Wyoming 20 miles north of Fort Phil Kearny, and Little Goose Creek stretches south and comes within 5 miles of the fort. But when Frances Carrington and Bratt speak of Goose Creek, it would seem they are talking about a stream close to FPK. Doyle [95] indicates that Goose Creek in 1866 referenced Piney Creek, but Bratt [87] mentions Piney Creek and Goose Creek in consecutive sentences, so at least in his mind they are distinct entities. And a diarist in Doyle [136] equates Goose Creek with the Tongue River. Drury & Clavin say that pasturage near the fort site rolled north to Goose Creek [253], so apparently they know where it is. 

   The location of clandestine Goose Creek is not the only thing I fudged when it came to the hay detail skirmish. I needed a flat area proximate to the fort and visible to the signalmen on Pilot Hill on which to stage the battle I envisioned. But the terrain there is not as I describe it; it is hilly, or at least sloped, where I imply flatness. The battle scene itself is a mash-up of two incidents near FPK: an attack experienced by Bratt [89-93], and a September attack in which a Lakhota-Arapaho raiding party numbering in the several hundred surrounded and stampeded buffalo into grazing cattle [Drury & Clavin 274]. Frances Carrington briefly mentions this fight as well [128]. The detail about Indians attacking late in the day to take advantage of worker fatigue is from Drury & Clavin [308].

    When Bridger gives his take on the Indians’ state of mind in Powder River country at that time, the idea of them fighting for their country like an American soldier in the Revolutionary War (I changed it to Civil) is from FCarrington [45], while the “war of extermination” perspective is a restatement of another FCarrington observation [54]. Also, Grenville Dodge was touring government commissioners near the western edge of Union Pacific construction in present-day Wyoming in 1867 when a hundred Indians swept down on the party in a brazen attack. Although the battle was inconclusive, one of the commissioners, Frank Blair, wrote in a report that the “desperation” of the attack and the “indifference of the Indians to their own fate” convinced the commissioners that the Indians were no longer interested in stealing a few cattle, they were “fighting for their country” [JPerkins 209].

   I was frustrated by my inability to find a shorthand Indian name for the territory around Fort Phil Kearny. I got tired of continually referring to it as “Powder River country.” The title of the Drury & Clavin book says it all, The Heart of Everything That Is, but technically that’s referencing Paha Sapa [4], the Black Hills, east of the Powder River basin. I gave in once and had Black Wolf’s speech—translated by Stillwater—employ Paha Sapa, but the inaccuracy bothered me. Part of the problem is that the Sioux seized the land around FPK from the Crow only a decade before [Hyde 54], so the Sioux may not have had a longstanding name for the region. Margaret Carrington titled her book after the Crow name for the region—Absaroka. But using that name while the story involved Sioux and Cheyenne struck me as another mislabeling. Thus “Powder River country” again and again. 

   A phrase I put into Bridger’s mouth, “git inta yer holes and pull the hole in arter ye,” is from GHolliday [36] and is attributed to an anonymous bullwhacker under attack, rather than Bridger. 

   Gabe’s aforementioned visit to the Crows in September 1866 was indeed an intelligence-gathering mission [Alter 324-25; Doyle 190 note] and the tribe did offer 250 warriors to help the whites fight the Sioux that summer, but the offer was declined [Alter 326; Drury & Clavin 280,284,306].

   Frances Carrington several times writes about the dearth of ammunition and inferior rifles at FPK. To be sure, long-expected delivery of ammo failed to materialize prior to the events of December 21. Although knowledge of the shortage was kept quiet, ammunition on hand amounted to less than one cartridge box per man [137]. 

   Details and description of the flag raising ceremony are straight out of FCarrington’s firsthand account [109,112-116], although I altered specifics of the layout and positioning of troops to suit the mental picture I wanted to paint. MCarrington [148,150] added some detail.

   Mention of Bridger spending hours at a time banging a tin pan like a tom-tom derives from Humfreville [467]. Despite leading a large group of miners up the Bozeman Trail in 1864, Gabe did indeed advocate a route to the Montana gold fields from the Oregon Trail that angled west of the Bighorn mountains—to avoid travel through Powder River country that would provoke the Sioux [Alter 304].

   Details regarding Fetterman’s arrival at Fort Phil Kearny are from Drury & Clavin [304]. Fetterman’s infamous comment about a single company of regulars (100 men) being able to whip a thousand Indians is from FCarrington [119]. His failed scheme to lure Indians into a trap with hobbled mules is also from FCarrington [119]. Gabe grumbling about “damn paper-collar soldiers” is from Alter [313], but is from another time and place and references an incompetent officer other than Fetterman. 

   The phrasing “…the first and last time Addy ever made a parade of his good fortune” derives from Estabrooks [120]: “…they were all religious, though they made no parade of it.”

   I made up the details/location/terrain surrounding the mail train fight. There was an attack on a mail train south of Fort Phil Kearny that fall, and a rider arrived at the gates announcing the fight and corralled wagons, but Frances Carrington provides no details [126]. She uses the incident to relate (as I do) that the mail included the incredible announcement that a treaty had been signed at Laramie and peace now reigned throughout the land. Addison spotting the frozen breath of hidden Indians was inspired by a Drury & Clavin detail [314].

   If I appear to canonize Bridger, I do indeed like and respect him. And he did in fact comfort officers’ wives and children (“prattlers” in Bridgerspeak) during those tense days at FPK, as noted by FCarrington [128]. She also relates an interesting anecdote [129] I had no way of organically working into the novel. At the time of “greatest peril” at FPK, army bureaucrats in Omaha decided Bridger’s ten-dollar-per-day salary (equivalent to senior officers’ pay) was wasteful extravagance and sought to terminate his employ. Colonel Carrington returned Omaha’s order with his response scratched on the paper’s flip side: “Impossible of execution.” Old Gabe was retained. 

   Frances Carrington, essentially imprisoned 24/7 within the 17 acres circumscribed by the fort’s palisaded walls, frequently mentions the night sentry’s hourly call of “all’s well” [89]. The “hideous” cries of “hordes” of wolves feasting on offal from the quartermaster’s slaughter yard is also from her [97]. 

   Red Cloud did indeed arrive near FPK from Tongue River on December 6 [Drury & Clavin 310]. The attack that day was a major event for those residing at the fort—Frances Carrington spends five pages on it [130-34]—but it is a relatively minor occurrence in my narrative. Addison’s remarks contrasting 12 companies of troops at peaceful Laramie versus three at war-torn FPK is adapted from FCarrington [118-119]. Red Cloud’s strategy of waiting for winter snows to isolate FPK is from Drury & Clavin [289].

   I should mention weather. Generally I tried to portray conditions that existed at the time, even moments in time. There was indeed a balmy two-week period following the December 6 attack [FCarrington 138], which was succeeded, apparently, by an artic vortex. It descended on the region almost immediately after the December 21 massacre (that very afternoon) [FCarrington 150] and lasted for several weeks—although there was hardly a return to balmy weather after that. The who;e winter was reportedly severe, though it predates official recordkeeping. There were some quick rises and falls in temperature December 20-21 that I fail to mention. The mere dusting of snow at the fort coincident with four feet just four miles west in the Bighorn foothills is from Drury & Clavin [304].

   Details of the Fetterman massacre are from FCarrington [142-48], Nadeau [220-28], David [125-29], and Drury & Clavin [324-39]. 

   Crazy Horse played a key role in historical events in Powder River country at the time my story visits there, but he is not a character in my novel (like Bridger) so I don’t name him. At the commencement of the Fetterman fight a mounted Crazy Horse dashed in front of army troops, trying to lure them into Red Cloud’s trap. His first attempts failed, including faking a lame horse, but “mooning” the soldiers finally accomplished his goal [Drury & Clavin 328-29; Nadeau 223]. He used the same lame horse trick during the December 6 skirmish [Drury & Clavin 314]. I employed the ruse as an element in the mail train battle south of Fort Phil Kearny earlier in the section. 

   I had fun piecing together a Jim Bridger dictionary. I wish more of his specific words and phrases had been recorded, but a half-dozen sources provided a decent foundation. Besides the patois already cited, sources included [Alter 187,264] (the latter page includes both “dogon my skin” and “jist go yer pile on it”; Ware [203,215]; FCarrington [63]; GHolliday [36,50]; Carleton [187]; and Stanley [193]. Not all entries in the “dictionary” originated with Bridger. For instance, I used vernacular words and phrases from Favour [132-35] quoting trapper Old Bill Williams.

   A final thought on Bridger. As amazing as he was, I portray him more like a 50-year-old man than the 62 years he actually was in 1866. And apparently he was showing his age. When Frances Carrington left FPK in January 1867 she mentions their intrepid guide “Bridger, old and infirm, had been left behind” [183]. Drury & Clavin write that his eyesight was failing and his arthritis made it difficult for him to walk, much less ride a horse [344]. His peripatetic 44-year mountain existence had surely taken a toll, though Gabe lived to be 77.

 

Section 6

   Addison’s trip aboard Blue from Fort Phil Kearny to Fort Laramie in subzero temperatures is very closely adapted from the historic ride of John “Portugee” Phillips. As much as I admire Drury & Clavin’s book, and greatly benefited by it from a research perspective, I worried, from a purely self-interested perspective, that they might popularize Phillip’s ride to the point that I couldn’t effectively swap Phillips for Addison…but I decided to do so anyway. Prior to their bestseller, I believe Phillips ride was one of the most unsung feats of heroism in American history. I developed the basic facts and chronology of the ride from FCarrington [149-50,164-67], David [133-34], Nadeau [229-31;308-09], and Drury & Clavin [340-42]. 

   I did alter the real-life story, principally to strip away extraneous detail and increase a sense of danger and isolation. For instance, Phillips did not bypass Fort Reno. It was indeed lightly garrisoned but the commander nevertheless dispatched a few troops north in response to Carrington’s written plea. There was also telegraph access at Horse Shoe Creek Station on the North Platte. Phillips apparently tried to send a message east from there but it failed to reach Laramie. Otherwise the rest of the Phillips story, which I have Addison inhabit, is utterly and remarkably true. It was indeed one of the coldest stretches of one of the coldest winters on “record.” Phillips did arrive Christmas night at 11 p.m. and interrupt a formal ball, though by Christmas, 1866 Colonel Maynadier was no longer the commander at Fort Laramie. Brigadier General Innis Palmer had been named district commander [Nadeau 231]. Phillips’ horse did die after the exhausting trip. The telegraph line from Laramie stretched all the way to the east coast, so word of the Fetterman disaster reached Washington soon after Phillips reached Laramie, and orders for a relief column were issued from D.C., not instantly and dramatically by Maynadier/Palmer. I also have the weather abate and the rescue column depart 36 hours after Addison’s arrival, but neither occurred. Minus-20 degree temperatures and blizzard conditions persisted for a week and the cavalry and infantry companies totaling 400 troops did not depart Laramie until January 2. Palmer’s reason for the delay was that “no man or beast exposed to the storm could live.” (Except for Portugee Phillips, of course.) [Nadeau 232]           

   Two extraneous details about the ride: Addison musing to himself about a dozen wagons per day rolling over the lonely wintertime spot he was then on, near the North Platte, derives from Drury & Clavin [275]—one arriving wagon train per day registered at FPK in August 1866. Changing of sentries every half hour due to the bitter cold—included as a way of emphasizing Addison/Phillips’ feat of enduring four straight days of such conditions—is “true,” although I borrowed the factoid from FPK and transported it to Laramie [MCarrington 212]. 

   While on the trail to North Platte with Bo, Addison recalls Henry Maynadier telling him Army spies reported an Indian runner from Fort Phil Kearney had reached the Laramie squaw camp before him. That is historically accurate in terms of Portugee Phillips’ ride [Nadeau 232]—and utterly remarkable. Phillips braved such extreme conditions on a life or death mission. It is amazing a Sioux brave duplicated that heroic effort simply to deliver news, but travelling in daylight and perhaps with an extra mount, or even swapping mounts at camps along the way, provides some explanation, but the Sioux rider’s feat is hardly less staggering—even if it was riders; that is, some sort of relay. And, of course, that bit of true history lends credibility to Black Wolf and his men performing the feat.

   A buffalo using his head to plow a path through deep snow comes from a story told to me by a country veterinarian in Broken Bow, Nebraska, Jack Longfellow. He is also a rancher and kept a few buffalo. They and several of his cows were caught in a blizzard while feeding in a far corner of Jack’s property. The storm abated after a few days and as Jack prepared to go out in search of his stock, one of his buffalo appeared as I describe in the book, at the top of a rise, using its head in a swinging motion to plow a narrow path through the deep snow, making its way back to the ranch house and corral. Trailing behind him, in single file, were not only Jack’s other buffalo, but his cattle as well. Hafen makes note of this phenomenon, too [44].

   The incident in which Addison is attacked seemingly by a lone warrior, gains an advantage, holds a gun to the Indian’s face, but doesn’t shoot, derives from one of the last books I read as part of my research [Stanley 117-18]. I was fortunate to stumble on the anecdote. I had carefully laid the groundwork for Addison renouncing violence (it was the whole point of Stillwater’s existence as a character), but having him simply walk—or ride—away from FPK seemed to me too passive a gesture. Addy had to specifically demonstrate mercy. Sparing the attacking Indian’s life, and thus saving his own when the Sioux calls off his arriving friends, fit perfectly the arc I was attempting to complete. It was also an aspect of Stanley’s true story. That said, Stanley’s tale sounds a bit apocryphal, although he does use a specific name for the accosted express rider. 

   When I gave Addison his horse, Blue, in Los Angeles at the start of chapter 4, I knew Blue would be with Addy until the end. Prior to the decision to incorporate Portugee Phillips’ ride into this chapter, I vaguely imagined Blue would be shot out from under Addy by Black Wolf in their climactic struggle. When I decided to adapt Phillips ride, I recalled Mary Loughborough’s gripping and heartrending portrayal [122-24] of the slow death of a military horse during the siege of Vicksburg. I knew Blue had to die at Laramie after delivering Addison there. In writing of Blue’s death I tried to capture the spirit of Loughborough’s account.   

   When construction on the Union Pacific line ceased for the season in December 1866, the railhead was actually ten miles past the newly-created city of North Platte [Ambrose 191]. I bumpered the tracks in North Platte (milepost 291) for narrative purposes, but Addison’s gold, buried at milepost 300, would have been right where tracks—historically speaking—actually ended. North Platte was a classic pop-up, hell-on-wheels town, so attempting to recreate a snapshot picture of it on a given day around the time of its birth was a problematic undertaking. My description is more like what North Platte might have looked like around summer 1867, rather than January 1, 1867, though, again, on both dates the tracks already continued past town. My description of North Platte is based on Kreck [129-30], Ambrose [217], Stanley [127-28] (who passed through five months after Addison and Bo did), and Dodge [609].

   As for Addison and Bo catching the last train of the season, Ambrose [191] writes that the 1866 construction season ended December 1, but on what day the last train travelled east—or even if there was a “last” train until spring—I do not know.

bottom of page